Table with PC and mixing desk

Pantomimes, stories from two World Wars, and an Apprenticeship

Plenty going on at the moment, which has left me trying to find the organising equivalent of Hermione Grainger’s magical Time Turner gadget to fit it all in.

Most pressing at the moment has been compiling and operating the sound effects for Bolton Little Theatre’s production of the WW1 play “Private Peaceful” Running 10th – 17th November 2018. It’s the story of Tommo Peaceful, a British Army private facing the firing squad for mutiny. As he waits for the dawn, he looks back to his childhood in the Sussex countryside and his hellish experiences in France. As sound design I have created a trailer as well.

It’s always interesting to find the effects and then edit them to fit the director’s intentions. Not all my sounds are authentic to the period but they fit the model of what the audience will expect to hear on a battlefield. When I was first learning audio drama production, I soon appreciated that there are certain conventions about sound, such as arriving lifts which ping ,that are vital shorthand in telling a story. However whilst its good to keep my audio skills fresh and to help create a theatrical play, I do intend to pull back from this kind of role for a while after Private Peaceful has finished.

Why? Because there is plenty going on elsewhere. For a start I have begun a part-time degree called BSc(Hon) Digital & Technology Solutions Apprenticeship at Manchester Metropolitan University. I do believe that decisions and people can connect in unexpected but beneficial ways. So although there is not an obvious crossover between fiction writing and programming / web development /  business information systems, part of me thinks what has started as an opportunity to update and increase my technical knowledge, might help my creativity nous too.

Six Million Voices logo

Recently I was approached by my old friend Nigel Anderson, director of Angel Snow amongst others, too take part in a new exciting project. Six Million Voices is a short film inspired by the classic book about the Holocaust – The Diary of Anne Frank and is being made in cooperation with the Anne Frank Foundation. It is built around the album of music and narration produced by Chris Williams. You can listen to some of her music via her Soundcloud page.

I have been asked to play Anne’s father and the founder of the organisation, Otto Frank, which is a great honour and I am looking forward to working with Nigel and Chris soon. I’ll be able to tell you more about this film and my role in a future update. In the meantime for more information about Anne Frank and the work of the charity set up in her name, visit their website.

The sound of sleigh bells is in the air and I am delighted to announce that four theatre troupes have chosen to put on productions of the pantomimes I have written/co-written. Knowing how much work goes into any panto production, it is always very gratifying when people choose my work. I hope they all have a great time and if I get hold of any posters I’ll share them here. So coming soon for Christmas:

  • Aladdin, Spotlight Performing Arts, Middlesbrough, UK
  • Aladdin, All Saints’ N20 PCC, London
  • Rumplestiltskin, Fairlight Pantomime Group, Fairlight, UK
  • Treasure Island, Whitefriars College, Northcote, Australia

Thanks for reading.

 

Portrait of Wikkaman

It is time to keep your appointment with – Wikkaman

Some days I am amazed by what appears in my inbox. Such as this, the latest project from the indefatigable and talented Rik Hoskin. Wikkaman is a brand new comic strip appearing in the pages of Aces Weekly – an online comics anthology edited by UK comics legend David Lloyd, the artist responsible for V for Vendetta, Hellblazer, Night Raven and many more memorable guest strips.

Wikkaman will run for seven weeks beginning Monday 15th October.  It’s based on a real life band – a Dorset acoustic folk group – who’s company includes Rik’s wife Hannah. Now he has put them into some comic book adventures, which are in the style of the old Hanna-Barbera cartoons he and I grew up with in the 70’s and early 80’s. It will run for seven weeks, beginning Monday 15th October. A labour of love for Rik, to me it is a project that harks back to his early, more personal work, and the indie anthology Nu-Comix.

Artwork is courtesy of Nick Taylor. Incidentally the colouring is by Chatri Ahpornsiri, no mean musician himself who provided music for my own Fine Line and Agents of Psyence audios.

Rik recently talked about the origins of his new work on John Freeman’s long-running comics blog Down the Tubes

Aces Weekly is a comic art collection of serials and short stories beamed directly to readers through cyberspace, featuring a mixture of new talent and established names. Subscriptions to Aces Weekly are a mere US $9.99 or UK £6.99 for about 150 pages over seven weeks. 21 of those pages are written by Rik. So it’s a pretty good deal, even if you don’t enjoy the Wikkaman story! You can find out more about this exciting project from its webpage.

And if you are interested in what band look/sound like, you can check out their Youtube promo too:

And why not visit their Facebook page too.

comic strip panel

White Sand wins an award for Rik Hoskin

I’m delighted to report that Brandon Sanderson’s White Sand, written by my good friend Rik Hoskin, has won Best Graphic Novel at the Dragon Awards 2018, announced at DragonCon on Saturday night 1st September 2018.

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I’ve mentioned this New York Times bestseller before and it is great to see Rik’s talent being recognised by fans of fantasy from around the world.

White Sand is based on Sanderson’s first ever completed novel, although he never submitted to publishers because he knew it need polishing. In later years the author had always had an ambition to go back and revise the book to improve it, and fit it into his later Cosmere saga. Eventually Dynamite Comics came to him, asking if he had any titles which he would like to be adapted into a comic. Sanderson saw this as an ideal opportunity to revisit White Sand and develop it into a graphic novel trilogy, which is now the canonical version of the story.

On the planet Taldain, the legendary Sand Masters harness magical powers to manipulate sand in spectacular ways. But when they are slaughtered in a sinister conspiracy, the weakest of their number, Kenton, believes himself to be the only survivor. With enemies closing in on all sides, Kenton forges an unlikely partnership with a mysterious Darksider, with secrets of her own.

Available from all good bookshops! Rik and I produced a fantasy audio series called Agents of Psyence which you can listen to and download from this very blog.

About Dragon Con

Dragon Con is the internationally known pop culture convention held each Labor Day in Atlanta. Organized for fans, Dragon Con features more than about 3,000 hours of comics, film, television programming, costuming, art, music, and gaming over four days. For more information, please visit www.dragoncon.org.

For a complete list of this year’s winners, please look at their blog here

Nell Gwynn poster
Video

Nell Gwynn, appearing at Bolton Little Theatre this September

My favourite theatre is opening its new season with Jessica Swale’s accessible, funny and intelligent play about the infamous 17th century royal mistress. In this take, she is a woman not only of her time, but also ahead of it. She was England’s first well known stage actress, thanks to Francophile King Charles II’s abolishing the stricture that women were not allowed to tread the boards. The author enjoys drawing parallels between 1660 Drury Lane and the West End of today, ruefully pointing out that some problems like good roles for women and the dangers of celebrity have been with us for centuries.

I’m involved with the realising the soundscape and I’ll be one of the sound operators during the week of the show. I had been offered a part but sadly did not have the spare time to take the director up on it. Last Sunday I attended the rehearsal and filmed some of it to create a promotional video, which I’ve just uploaded to social media. Starting off with 40 minutes or so or material, I gradually pared it down to a few clips which were full of movement and expression. The music has been specially recorded for this production and will be heard on the night. I’m pretty pleased with the way this one has turned out, and I hope you like it too.

Nell Gwynn runs 17th to 22nd September 2018 at Bolton Little Theatre. For more information and to book tickets, please visit http://www.boltonlittletheatre.co.uk

Dalek

Doctor Who – Most Wanted 11th July 2018

Next week I have the pleasure of taking part in the third Manchester Indie Film Makers Group Doctor Who podcast, following on from discussions about The Daleks and The Doctor. This time myself, Nigel Anderson and Brian Robinson are going back to the 60’s to talk about the missing 97 episodes of Doctor Who. With the classic BBC series finding a whole new audience on Twitch, there’s never been a better time to rave about Hartnell and Troughton.

Most Wanted

Doctor Who is in an unusual position. No other TV drama programme with a similar high profile has such a large gap in its library. Can you imagine 60’s Star Trek or the Twilight Zone with half of their second year missing presumed lost? Yet I’m going to argue that existing in the Schrodinger state has actually enhanced the show and given us fans a chance to exercise our imaginations.

The event will be filmed on multi-cameras and edited for an eventual podcast. However if you are in the area you can take part in the free live debate and the recording, which is being held at Manchester Central Library on 11th July at 6.15pm.

“An evening inspired by the lost episodes of 60’s Doctor Who. Debating the merits of these lost stories and why these treasures need to be returned to the BBC archives for future generations to enjoy once more. With a panel of experts this will be a spirited event for both fans of the show or for anyone interested in the developmental history of TV. Not to be missed.”

Free drink at reception and a chance to win TV memorabilia in our free prize draw. Free prize draw will take place at the event on Wednesday 11th July 2018.

Book your tickets at https://www.eventbrite.co.uk/e/doctor-who-most-wanted-tickets-47601076100

London, 1965!

 

Paul Ferry’s 10 Favourite Doctor Who Fan Films

Top writer of cult TV and film matters Paul Ferry has just compiled a list of his favourite Doctor Who fan films. I’d agree with a lot of the choices – “Resurrection of Evil” and “the Millenium Trap” especially. He also kindly singles out “Future Investment” for praise, a film I appeared in. He is too modest to mention it but the group he belongs to – Timebase – produced some superb fan films too, especaily “Phase IV”.

Timebase Productions

FANV

Listed below are the 10 Doctor Who fan videos that I have found most entertaining, inspiring and impressive over the many years that I’ve been interested in such things. I use the words ‘fan video’ in the traditional sense, meaning dramatic or comic presentations, rather than clips edited to music (which we called ‘scratch videos’ in my day). They’re listed in chronological order, rather than order of merit, because they’re all equally special to me. If you’re lucky, you might find some of them online.

DAY OF THE DUSTBINS / ALISTAIR ANORAK INVESTIGATES
The West Midlands Whonatics (1987)
I’m cheating a bit by lumping these two together, as they are two distinctly different productions, but they were both extremely influential upon my group of friends when we first started making fanvids. Day of the Dustbins is a below-zero budget spoof of Day of the Daleks, clearly filmed in a…

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poster artwork

White Sands, Cemetery Club and other shares

Easter has just passed by and I seem to have reached critical mass with a number of little bits of news about what is happening in my world. So here is one of those occasional news round-up type posts of mine.

I’ve been pretty busy down at Bolton Little Theatre in the last few months. We had an extremely successful screening of The Rocky Horror Picture Show with plenty of the audience in costume and some wild behaviour in the aisles! I must admit I was pretty nervous how this night was going to play, so it was a big relief to hear our guests leaving in high spirits and some lovely feedback on the night. We’ll be showing Dirty Dancing on Saturday evening 9th June 2018. Visit the BLT website for tickets and more details.

But my main job in the last few months has been as sound designer and operator for various productions on both of our stages. Absurd Person Singular by Alan Ayckbourn was a particular challenge, requiring party sounds every time the kitchen door was opened, and that door gets used an awful lot. Another tricky part was that each act opened with a Seventies Christmas pop song, which faded from normal to mimicking the tinny sound coming from an onset radio. But I pulled that off and this brilliant play about materialism and self-delusion was brilliantly acted by an excellent cast. I thought it was one of our best productions in a while. Although The Pitmen Painters by Lee Hall, which I was only tangentially involved with, was every bit as good in every department.

Currently I am rehearsing The Cemetery Club by Ivan Menchell, a witty comedy about love in New York’s senior citizen community. the sound requirements for this are relatively modest, probably the most challenging of which is a whistling kettle and getting the volume of it right. But its still quite a time commitment and will take up most of this and next week’s evenings. I’ve also put together a promotional trailer, which you can watch below:

Overlapping with that production is Agnes of God by John Pielmeier, an intense interrogation drama set in a New York convent. I’ve already recorded some voiceovers for it and will shortly be assembling the choral musical cues with the director. Earlier last year I recorded the three woman cast at a readthrough, and so was able to create a particularly effective trailer, my favourite in a while:

With all this tech work, and editing a monthly BLT newsletter, there has been a knock on effect on my writing but I’m becoming more productive now with a couple of projects. One I can’t discuss yet but hopefully might turn into my biggest theatrical script yet. The other is a short video about my love for Michael Mann’s 1983 horror movie The Keep. I am currently writing the script. This will be the second in a new series Westlake Films is producing. The first episode, in which Carl Bowler rhapsodies about Scott Pilgrim vs The World, has just been released online. Carl does an excellent job in praising what makes the cult comic strip adaptation tick and how it links with his own life. You can find it on Westlake Films’ Youtube channel. Or indeed, right here!

My fellow writer Rik Hoskin has had several exciting projects published lately. His marvellous six-part SF comic Red Rising: Sons of Ares has been collected into a handsome graphic novel. Based on the hit YA series Red Rising by Pierce Brown, the comic tells of the origins of resistance leader Fitchner Au Barca. Born as a Gold, one of the ruling class of a brutal future human solar empire, the misfit Fitchner soon recognises the cruelty of the system. To protect his secret wife and son, who come from the lowest caste, Fitchner’s fight against the Empire leads to tragedy and the seeds of a rebellion. The artwork is engrossing and Rik’s storytelling skills are well in evidence.

redrisingsoa-01-cov-a-cypress

Speaking of graphic novels, the sequel to the New York Times bestseller White Sands, which was also written by Brandon Sanderson and Rik Hoskin, is out now. White Sands Volume Two continues the adventures of a young magician on an alien world where sand can be magically wielded to create and destroy. It is adapted from an unpublished manuscript of Sanderson’s and is a part of his Cosmere universe. Both this and Red Rising: Sons of Ares are published by Dynamite Comics.

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Outlanders may have concluded but Rik is now involved with a new series of action novels – SEAL Team Six, alongside Max KentIt depicts the all action secret missions of a group of Navy SEALS – the proverbial best of the best of the best. Executive Order sees them dispatched to track down a ruthless ISIS group which has got its hands on US drone technology. I’m currently reading it and it’s great entertainment.

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Finally you can learn more about Rik by reading this recent interview, carried out by fellow comic and magazine writer John Freeman for his blog downthetubes.org. Click here for 10 Questions

 

Aladdin poster

Cannot get enough of Aladdin

That plucky young lad from Ancient China seems to keep crossing my path at the moment.

For a start I’ve just been making a video trailer for Bolton Little Theatre’s production of Aladdin in December. This one is based on a script by Alan P Frayne, who has previously provided scripts for BLT’s Jack and the Beanstalk and Cinderella.

Once again I was in the Forge studio theatre, improvising with the cast, but this time the emphasis was on laughs rather than menace. I had expected to be filming the cast in their civvies, but the wardrobe mistress was marvellously able to dress everyone who turned up in appropriate panto gear. We worked pretty fast, keeping the camera in one place this time and moving the actors in and out of the frame. I did not have much time to work on a polished script or too many takes because the cast were due to hold a full readthrough that evening. Then it was time to put the footage into the ever reliable Cyberlink Power Director to add some effects and a Chinese overlay downloaded for free from the company’s website. Hope folk like the result. It will be going live on Facebook next week.

For more details and to book tickets please visit Bolton Little Theatre’s Aladdin page

Meanwhile I am delighted to announce that there are two productions of my own Aladdin, co-written with Adrian Barradell, coming this Christmas.

November – St Anselm’s College, Wirral, UK
December – 2nd Comber Drama Group, County Down, UK

More details when I get them. If you would like to know more about my take on the famous tale, please visit my page at Lazy Bee Scripts

 

 

 

Young woman in wheelchair

Dead Guilty

As Bolton Little Theatre’s new season hoves into view, so does my side job of making promotional trailers for the plays in the 2017/18 run. Sometimes an idea for the trailer comes to me easily and other times it is a real struggle to think of a 30 sequence that will sum up the story and make it appetising. It’s a bit similar to writing in fact.

With Dead Guilty, the psychological thriller by Richard Harris which opens our season in September, the idea took a while to land, then I thought about a close-up on Julia’s face. She is the main protagonist and it is a story in which she is confined and oppressed. I thought she could give a speech to camera taken from the script. With the help of director Peter Scofield and actress Kim Amston, I developed this idea into a series of mid-length and extreme close-ups of the whole cast, delivering selected lines of dialogue. It took about two hours to film, using the Forge studio theatre. A lot of that time was taken with finding interesting angles to film Kim in Julia’s wheelchair, followed by several takes of each line. The result has been well received and hopefully will sell a lot of tickets. If you are intrigued then please visit Bolton Little Theatre’s website

Now I am turning my mind towards the second play Rabbit Hole. I have vague idea, again using actors rather than a slide show. Below is the trailer for the whole season, which is a good example of the latter style. Thanks for reading.

Panto cast take a bow

Rumplestiltskin in Lancashire

I went to see Mawdesley Amateur Dramatics Society last Saturday night to see their excellent production of Neighbourhood Watch by Alan Ayckbourn. I used to be a regular member of this group and it was there that I cut my pantomime teeth, both as a performer and later a writer. The visit reminded me that my MADS friends have also set up a website with an excellent gallery of past productions, including the first ever performance of Rumplestiltskin and other scripts of mine, including Dick Whittington where I played Dame Dollop. My last Dame role up until now.

Check them out below:

Rumplestiltskin 2015

Treasure Island 2013

Aladdin 2008

Dick Whittington 2007

Good memories and if you are in the Lancashire area, their productions are well recommended. Next up I believe is King Arthur, written by my former collaborator Adrian Barradell.