Doctor Who – Most Wanted 11th July 2018

Next week I have the pleasure of taking part in the third Manchester Indie Film Makers Group Doctor Who podcast, following on from discussions about The Daleks and The Doctor. This time myself, Nigel Anderson and Brian Robinson are going back to the 60’s to talk about the missing 97 episodes of Doctor Who. With the classic BBC series finding a whole new audience on Twitch, there’s never been a better time to rave about Hartnell and Troughton.

Most Wanted

Doctor Who is in an unusual position. No other TV drama programme with a similar high profile has such a large gap in its library. Can you imagine 60’s Star Trek or the Twilight Zone with half of their second year missing presumed lost? Yet I’m going to argue that existing in the Schrodinger state has actually enhanced the show and given us fans a chance to exercise our imaginations.

The event will be filmed on multi-cameras and edited for an eventual podcast. However if you are in the area you can take part in the free live debate and the recording, which is being held at Manchester Central Library on 11th July at 6.15pm.

“An evening inspired by the lost episodes of 60’s Doctor Who. Debating the merits of these lost stories and why these treasures need to be returned to the BBC archives for future generations to enjoy once more. With a panel of experts this will be a spirited event for both fans of the show or for anyone interested in the developmental history of TV. Not to be missed.”

Free drink at reception and a chance to win TV memorabilia in our free prize draw. Free prize draw will take place at the event on Wednesday 11th July 2018.

Book your tickets at https://www.eventbrite.co.uk/e/doctor-who-most-wanted-tickets-47601076100

London, 1965!

 

Paul Ferry’s 10 Favourite Doctor Who Fan Films

Top writer of cult TV and film matters Paul Ferry has just compiled a list of his favourite Doctor Who fan films. I’d agree with a lot of the choices – “Resurrection of Evil” and “the Millenium Trap” especially. He also kindly singles out “Future Investment” for praise, a film I appeared in. He is too modest to mention it but the group he belongs to – Timebase – produced some superb fan films too, especaily “Phase IV”.

Timebase Productions

FANV

Listed below are the 10 Doctor Who fan videos that I have found most entertaining, inspiring and impressive over the many years that I’ve been interested in such things. I use the words ‘fan video’ in the traditional sense, meaning dramatic or comic presentations, rather than clips edited to music (which we called ‘scratch videos’ in my day). They’re listed in chronological order, rather than order of merit, because they’re all equally special to me. If you’re lucky, you might find some of them online.

DAY OF THE DUSTBINS / ALISTAIR ANORAK INVESTIGATES
The West Midlands Whonatics (1987)
I’m cheating a bit by lumping these two together, as they are two distinctly different productions, but they were both extremely influential upon my group of friends when we first started making fanvids. Day of the Dustbins is a below-zero budget spoof of Day of the Daleks, clearly filmed in a…

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White Sands, Cemetery Club and other shares

Easter has just passed by and I seem to have reached critical mass with a number of little bits of news about what is happening in my world. So here is one of those occasional news round-up type posts of mine.

I’ve been pretty busy down at Bolton Little Theatre in the last few months. We had an extremely successful screening of The Rocky Horror Picture Show with plenty of the audience in costume and some wild behaviour in the aisles! I must admit I was pretty nervous how this night was going to play, so it was a big relief to hear our guests leaving in high spirits and some lovely feedback on the night. We’ll be showing Dirty Dancing on Saturday evening 9th June 2018. Visit the BLT website for tickets and more details.

But my main job in the last few months has been as sound designer and operator for various productions on both of our stages. Absurd Person Singular by Alan Ayckbourn was a particular challenge, requiring party sounds every time the kitchen door was opened, and that door gets used an awful lot. Another tricky part was that each act opened with a Seventies Christmas pop song, which faded from normal to mimicking the tinny sound coming from an onset radio. But I pulled that off and this brilliant play about materialism and self-delusion was brilliantly acted by an excellent cast. I thought it was one of our best productions in a while. Although The Pitmen Painters by Lee Hall, which I was only tangentially involved with, was every bit as good in every department.

Currently I am rehearsing The Cemetery Club by Ivan Menchell, a witty comedy about love in New York’s senior citizen community. the sound requirements for this are relatively modest, probably the most challenging of which is a whistling kettle and getting the volume of it right. But its still quite a time commitment and will take up most of this and next week’s evenings. I’ve also put together a promotional trailer, which you can watch below:

Overlapping with that production is Agnes of God by John Pielmeier, an intense interrogation drama set in a New York convent. I’ve already recorded some voiceovers for it and will shortly be assembling the choral musical cues with the director. Earlier last year I recorded the three woman cast at a readthrough, and so was able to create a particularly effective trailer, my favourite in a while:

With all this tech work, and editing a monthly BLT newsletter, there has been a knock on effect on my writing but I’m becoming more productive now with a couple of projects. One I can’t discuss yet but hopefully might turn into my biggest theatrical script yet. The other is a short video about my love for Michael Mann’s 1983 horror movie The Keep. I am currently writing the script. This will be the second in a new series Westlake Films is producing. The first episode, in which Carl Bowler rhapsodies about Scott Pilgrim vs The World, has just been released online. Carl does an excellent job in praising what makes the cult comic strip adaptation tick and how it links with his own life. You can find it on Westlake Films’ Youtube channel. Or indeed, right here!

My fellow writer Rik Hoskin has had several exciting projects published lately. His marvellous six-part SF comic Red Rising: Sons of Ares has been collected into a handsome graphic novel. Based on the hit YA series Red Rising by Pierce Brown, the comic tells of the origins of resistance leader Fitchner Au Barca. Born as a Gold, one of the ruling class of a brutal future human solar empire, the misfit Fitchner soon recognises the cruelty of the system. To protect his secret wife and son, who come from the lowest caste, Fitchner’s fight against the Empire leads to tragedy and the seeds of a rebellion. The artwork is engrossing and Rik’s storytelling skills are well in evidence.

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Speaking of graphic novels, the sequel to the New York Times bestseller White Sands, which was also written by Brandon Sanderson and Rik Hoskin, is out now. White Sands Volume Two continues the adventures of a young magician on an alien world where sand can be magically wielded to create and destroy. It is adapted from an unpublished manuscript of Sanderson’s and is a part of his Cosmere universe. Both this and Red Rising: Sons of Ares are published by Dynamite Comics.

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Outlanders may have concluded but Rik is now involved with a new series of action novels – SEAL Team Six, alongside Max KentIt depicts the all action secret missions of a group of Navy SEALS – the proverbial best of the best of the best. Executive Order sees them dispatched to track down a ruthless ISIS group which has got its hands on US drone technology. I’m currently reading it and it’s great entertainment.

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Finally you can learn more about Rik by reading this recent interview, carried out by fellow comic and magazine writer John Freeman for his blog downthetubes.org. Click here for 10 Questions

 

Cannot get enough of Aladdin

That plucky young lad from Ancient China seems to keep crossing my path at the moment.

For a start I’ve just been making a video trailer for Bolton Little Theatre’s production of Aladdin in December. This one is based on a script by Alan P Frayne, who has previously provided scripts for BLT’s Jack and the Beanstalk and Cinderella.

Once again I was in the Forge studio theatre, improvising with the cast, but this time the emphasis was on laughs rather than menace. I had expected to be filming the cast in their civvies, but the wardrobe mistress was marvellously able to dress everyone who turned up in appropriate panto gear. We worked pretty fast, keeping the camera in one place this time and moving the actors in and out of the frame. I did not have much time to work on a polished script or too many takes because the cast were due to hold a full readthrough that evening. Then it was time to put the footage into the ever reliable Cyberlink Power Director to add some effects and a Chinese overlay downloaded for free from the company’s website. Hope folk like the result. It will be going live on Facebook next week.

For more details and to book tickets please visit Bolton Little Theatre’s Aladdin page

Meanwhile I am delighted to announce that there are two productions of my own Aladdin, co-written with Adrian Barradell, coming this Christmas.

November – St Anselm’s College, Wirral, UK
December – 2nd Comber Drama Group, County Down, UK

More details when I get them. If you would like to know more about my take on the famous tale, please visit my page at Lazy Bee Scripts

 

 

 

Dead Guilty

As Bolton Little Theatre’s new season hoves into view, so does my side job of making promotional trailers for the plays in the 2017/18 run. Sometimes an idea for the trailer comes to me easily and other times it is a real struggle to think of a 30 sequence that will sum up the story and make it appetising. It’s a bit similar to writing in fact.

With Dead Guilty, the psychological thriller by Richard Harris which opens our season in September, the idea took a while to land, then I thought about a close-up on Julia’s face. She is the main protagonist and it is a story in which she is confined and oppressed. I thought she could give a speech to camera taken from the script. With the help of director Peter Scofield and actress Kim Amston, I developed this idea into a series of mid-length and extreme close-ups of the whole cast, delivering selected lines of dialogue. It took about two hours to film, using the Forge studio theatre. A lot of that time was taken with finding interesting angles to film Kim in Julia’s wheelchair, followed by several takes of each line. The result has been well received and hopefully will sell a lot of tickets. If you are intrigued then please visit Bolton Little Theatre’s website

Now I am turning my mind towards the second play Rabbit Hole. I have vague idea, again using actors rather than a slide show. Below is the trailer for the whole season, which is a good example of the latter style. Thanks for reading.

Rumplestiltskin in Lancashire

I went to see Mawdesley Amateur Dramatics Society last Saturday night to see their excellent production of Neighbourhood Watch by Alan Ayckbourn. I used to be a regular member of this group and it was there that I cut my pantomime teeth, both as a performer and later a writer. The visit reminded me that my MADS friends have also set up a website with an excellent gallery of past productions, including the first ever performance of Rumplestiltskin and other scripts of mine, including Dick Whittington where I played Dame Dollop. My last Dame role up until now.

Check them out below:

Rumplestiltskin 2015

Treasure Island 2013

Aladdin 2008

Dick Whittington 2007

Good memories and if you are in the Lancashire area, their productions are well recommended. Next up I believe is King Arthur, written by my former collaborator Adrian Barradell.

Red Rising – Sons of Ares

In a distant future, man has colonised the solar system, but this brave new era of exploration has led in turn to a tyrannical caste system of genetically modified humans, ruled by the Golds. Down in mines of Mars, a young Red called Darrow decides to fight back. So begins Pierce Brown’s bestselling series of YA SF novels. However I must admit though I had not heard of them until my friend Rik Hoskin told me about his current comic project – Red Rising – Sons of Ares.

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Published by Dynamite Comics, Sons of Ares is a prequel series, exploring the early life of Fitchner au Barca, the leader of the resistance movement calling themselves the Sons of Ares. The first two issues are out now and it has been well received by fans of the series. Rik is working closely in collaboration with author Pierce Brown, just as he did with Brett Sanderson on last year’s graphic novel White Sands. The splendid artwork meanwhile is by Eli Powell.

You can see a few preview pages and find out more details on this page. The series is available in comic shops and also on the Kindle.

More recently Rik has been interviewed by Dynamite about his latest series, and looking forward to issue four.  Its a great read too. You can find it here. I’m hoping to post some impressions of it soon.

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Talking about my old mate Rik also prompts me to talk about the latest addition to this blog. If you look to the left of the screen, you will notice I’ve added a new permanent section, containing downloadable copies of our original audio series – Agents of Psyence. These MP3 files used to be available at Westlake Films’ site, until I took them down during that site’s revamp. Now I’ve brought them in-house so to speak. At the moment the page is fairly bare-bones but I intend to expand it in time.

Agents of Psyence is an action adventure series based on Rik’s early self-published comic Psyence Fiction. Set in present day Britain, an enigmatic billionaire called Sebastian Hayward has assembled a team of unusual specialists, including a cybernetic warrior, an ex-MI6 agent and an occult expert, to investigate supernatural crimes. It’s mixture of horror and SF, with an emphasis on pace and thrills. My own approach was definitely influenced by the work of radio director/producer extraordinaire Dirk Maggs (Hitch-Hiker’s Guide to the Galaxy, Radio 1 version of Batman: Knightfall amongst many others)

The first story Truth and Bone was adapted by Rik from the pages of the first two issues, and the second, Bloodlines, written exclusively for audio by Rik and myself. I think they’ve got some of my best production work in them and its always been an intention of mine to continue the series. Several other scripts were written by ourselves, John Isles and Peter Grehen. I released the series under the label Phantom Frame, which is where the title of this very blog comes from.

You can experience both stories for free, playing them on this site or downloading them. Hope you enjoy them, whether you’re a new listener or a returning fan.

Discover the Agents of Psyence by clicking this link