Doctor Who – Too Hot for TV Episode 4.5

Recently I had a pleasure of guesting on Dylan Rees’ hugely entertaining podcast about the wider world of Doctor Who – comic strips, Big Finish audios, independent videos and similar. For this issue we were celebrating the Dalek’s own comic strip, printed in TV Century 21 at the height of Sixties Dalekmania. Although credited to Terry Nation, it was in fact largely written by David Whitaker, then script editor for the programme and was fairly sophisticated for children’s title. Certainly compared to the Doctor’s own adventures over at TV Comic. All driven by spectacular artwork by Richard Jennings, Roy Turner and Eric Eden.

In addition, we talk briefly about my BBV career, becoming a fan, and the Fine Line Doctor Who audios. It was a lot of fun to record and Dylan has done a good job editing our long conversation into a slick hour. You can find Doctor Who – Too Hot for TV on your podcast app or via:

https://www.buzzsprout.com/864883/4370129-episode-4-5-dalekmania

In addition the latest episode of the Talking Pictures TV Podcast is with us, in which I recommend the classic gothic adventure – The Most Dangerous Game.

Coming soon – Red Rising: Wrath, Talking Pictures TV and more

Hello again. How are you? It’s round-up time again and whilst I’ve been recording some more reviews for the Talking Pictures TV podcast, some good friends have been much more productive.

The latest edition of the Talking Pictures TV Podcast is out now. Now being overseen by Mel Byron, Daniel Reifferscheid and Scott Phipps, it’s in a slightly shorter but hopefully more regular format. And they’ve kindly included my cheerful appreciation of Hammer Film’s loony fantasy adventure The Lost Continent, which will be appearing on the UK channel on 4th March at 12.10am. You can download the podcast from your favourite player or the home page.

Rik Hoskin has let me know that his second graphic novel set in the world of Pierce Brown’s Red Rising books is about to be unleashed on the 19th March. Set in an empire that spans the solar system, where people are born into strict castes and most are forced to live as slaves for a ruling elite called the Golds. Red Rising – Sons of Ares: Wrath continues the story of how disgraced Gold Fitchner became the leader of a ruthless resistance movement known as the Sons of Ares. I loved the first volume and I can wholeheartedly recommend this SF epic. You can get a taste of it from the trailer below:

Finally I’ve been continuing my work at Bolton Little Theatre, producing soundscapes for Things I Know to be True and Brighton Beach Memoirs. I’m grateful for the help of two fresh volunteers Steven and Sam who come on to the sound side lately. Here’s two promos I’ve put together for the productions too.

A short monologue from this acclaimed production.
On stage 30th March – 4th April 2020

Peckinpah for Christmas -Official Talking Pictures TV Podcast

Who says Christmas must be a time for traditions? The latest episode of The Official Talking Pictures TV Podcast is out now in time for Christmas and once again I’m pleased to say I have been included, despite submitting two decidedly unseasonable movie reviews. Creator and outgoing producer Adam Roche has selected my thoughts on Straw Dogs, the infamous 1971 thriller starring Dustin Hoffman and Susan George.

Looking at the list of upcoming films and television on Talking Pictures last month, I was aware that this was likely to be a Christmassy edition, but when it came to titles I could talk about knowledgeably, it was generally the darker hued ones. Although I did consider the Alistair Sim Scrooge but I had a feeling it has already been covered, or at least would likely to be a popular choice by my fellow #podcastpals.

It’s another excellent show, with lovely reviews from the regulars, most of which have a holiday feel. It also marks a changing of the guard, as Adam is moving on to new opportunities, although he’ll still be contributing the occasional review in his inimitable style. In 2020 I’m excited to hear that the podcast will steered by three superb podcasters and regular voices Mel Byron, Scott Phipps and Daniel Reifferscheid.

This is probably my last post of 2019, so I wish you a Happy Christmas and a marvellous New Year.

Dick Whittington on The One Show

Cast rehearsing

According to Charles Dickens, Christmas is a time when old ghosts come back to haunt you and I’m getting a small taste of that at the moment. Dick Whittington, the first pantomime I wrote, together with Pamela Hope, for my local group Mawdesley Amateur Dramatics Society, and the second to be published, is now appearing on BBC1’s early evening magazine The One Show.

Winterslow Drama Group in Wiltshire chose to perform my version of the famous English panto, and now they are being mentored by actor and pantomime legend Christopher Biggins. Clips of their rehearsals and his advice are being threaded into three editions of the programme leading up to Christmas, starting from 12th December, and continuing on 13th and 16th December. You can watch them for up to 30 days later on the BBC iPlayer.

Here is the first installment on BBC iPlayer. Panto feature starts at 12:56 minutes in.

This may or may not surprise you but I don’t retain a full memory of previous scripts in my head. So there are moments watching this where lines and names come as a surprise to me too. I think the cast are doing a superb job. Christopher Biggins is an actor I’ve respected for both his comedy performances in the likes of Porridge and Psychoville and drama too. Who can forget his sociopathic Nero in I, Claudius? When it comes to pantomime he has an incredible fund of experience as a performer and director, so I would always pay attention to him. I’m hoping he liked our script, even with its alterations to the classic plot.

Christopher Biggins

You always have a special place in your heart for your first, and Dick Whittington will always have a lot of good memories for me. Not only was I learning the ropes of what made a good panto script, but I was also playing the Dame, which might make you suspect I gave myself all the best lines, but that is absolutely not the case loves! Since this series has started, it has been fun to hear from my old former cast mates who are amused to be reminded of their old lines again, just as I am.
At that time MADS was a fairly low ebb in terms of cast and resources. We had the village hall (which looks uncannily similar to Winterslow’s btw) and good costume designers but in terms of sets, props, light and sounds we had recently lost a lot of expertise. So one of the driving factors of that script was that it was simple to stage and its a virtue I have tried to keep to with all my subsequent scripts. I always advise that groups can build on my descriptions and effect suggestions if they fancy it.
Probably the most important lesson I learnt that initial time out was not to try to be too surreal or too intellectual with my jokes. All the best laughs come from audacious groaners – the chicken run joke for example, or good character stuff that the audiences recognise in themselves, or logical stupidity, such as the henchmen threatening Hugo and the Baroness with pretend guns because they cannot afford a real one, followed by established idiot Hugo claiming he’s helpless because they have got him covered. And don’t be embarrassed by happy accidents. I wrote a line about Dick being spotted around the docks just as a plot point, not realising the innuendo until audiences started laughing on the nights.

If you would like to read the script yourself or maybe even consider it for your own theatre group, please take a look at my author’s page at Lazy Bee Scripts.

I knew about this One Show coverage from the Winterslow Drama Group home page, and only knew it had started when a friend texted me to say he had just seen my name on the telly. So I have no idea what is going to happen in the next few editions, but I’ll certainly be watching to find out!
Merry Christmas!

Christmas pantomimes come earlier every year

Hello, hope you’re well and keeping busy. I am delighted that four productions of my pantomimes are underway this Christmas season.

The Bodicote Players in Banbury and Woodhouse Phoenix in Hatfield are staging Rumplestiltskin. You can watch the former between 3rd December and 7th December, and the latter in the new year, January. Meanwhile, down the road from me, in Oldham, there’s a production of Aladdin in January.. Wish I could tell you more about that production but I have not been given any more details. Finally Winterslow Drama Group, in Wiltshire are staging Dick Whittington. Intriguingly their website tells me that they have been filmed by BBC1’s The One Show for a feature in December. You can rest assured I’ll be reporting on that when I know when it’s being broadcast. Many thanks to all these groups for showing faith in my writing, and that of my co-scripters Pam Hope and Adrian Barradell.

Rumpelstiltskin poster

Joining BERGcast – X the Unknown

I’m delighted to announce that not only is there a new episode of BERGcast, the podcast celebrating and investigating the entire Quatermass phenomena over the years, but that I am a guest on it. Jon Dear kindly invited me to join him and Howard David Ingham on Skype to discuss X – The Unknown, Hammer’s unofficial follow-up to their massively successful movie The Quatermass Xperiment. Wanting to make another Quatermass film, but denied permission by Nigel Kneale to use his character, Hammer turned to production assistant Jimmy Sangster to write a script in a similar unearthly vein, but featuring a surrogate scientist called Royston. Eventually Oscar-winning character actor Dean Jagger played the maverick scientist in his first and so far only appearance.

You can hear us discuss the film’s plot, its origins, its background of growing public unease over nuclear weapons and atomic energy, and Frazer Hines’ child acting precociousness. It was great fun to record and to rewatch this entertaining SF monster movie from early days of Hammer Studios. Find BERGcast on Apple Podcasts, Podbean, or Jon Dear’s own site bergcast.room207press.com/

Whilst on the subject of film review podcasts, the latest edition of The Talking Picture TV podcast is out now as well, featuring amongst other items, my review of Blood from the Mummy’s Tomb starring the gorgeous Valerie Leon. Again, you find it on Apple Podcasts, Spotify or its webpage https://www.attaboyclarence.com/the-talking-pictures-tv-podcast

Silver Screen Singalongs

Rocky Horror fans

I felt very relieved a couple of weeks ago after our Mamma Mia! Here We Go Again singalong event at Bolton Little Theatre came to a successful close. For some reason my normal pre-show nerves were greater than usual, even though this had been our twelfth singalong event. But the anticipation and knowing that a whole audience of people have been looking forward to this night did bring a weight of responsibility on myself as the projectionist and co-organiser, and my friends who generously donated their Saturday night to help. Thanks to Adam Manning for his sterling work as the MC in getting the evening started with plenty of cheers and laughter, Jeff Lunt for making sure the lighting and the auditorium are ideally set up, Mark Pillar for House Managing and David Smart for his encouragement, co-organising the night and operating the bar with his wife Susan.

   Every one of these events has had special memories for me. For this last one, it was the audience’s reactions every time Cher appeared, especially her set piece number “Fernando”. There is a special shared joy in those spontaneous moments when a cinema audience reacts as one to a film, and it is probably that more than anything that has encouraged me to continue running Bolton Little Theatre’s big screen nights.

   Favourite memories from the control box include: The big reaction and applause to “Does Your Mother Know” in Mamma Mia! Then the end of that movie, when Meryl Streep looked into the camera and asked, “Do you want more?”, the dancing audience answered back “Yes!” and for a moment the movie felt thrillingly live and happy. The teenagers who got up to the front and danced for the crowd during the end titles of Grease. During our first showing of Frozen, there’s a moment when Prince Hans asks Anna to marry him and a chorus of little girls’ voices said “Yes”, even though they must already have known he was a wrong’un.

   Probably our biggest gamble was The Rocky Horror Picture Show. Partly because our copy did not actually have the onscreen Singalong lyrics and partly because out of all the movies we had shown, this one came with a substantial reputation and a whole history of audience interaction. Plus, I was not sure what the audience mix would be. I think it was my worry which led to me arriving on the night feeling quite ill from a virus. I was pleasantly surprised by the number of attendees who arrived in costume, I think we had at least one of every character, including two strapping Frank-N-Furters in basques and suspenders, as you can see in the photograph above. As the MC, Ryan Smart-Stanton was inspired that night with some of his improvisations. Then the film was underway, and everyone seemed to be on the same party vibe. “The Time Warp” maybe its most famous number, but my special memories of that screening were the audience rocking out to “Wild and Untamed Thing” and the emotional roar of cheers and applause after Frank-N-Furter’s torch song “I’m Going Home”.

   A good Singalong movie is a very specific prescription. It is not enough to be a great musical, it needs to have enough songs in it that people recognise, plus it should be a fairly upbeat. That leaves a fairly small selection to choose from. Hairspray has the right mood for example, but its songs do not have much of a life beyond the movie. Walking on Sunshine is filled with well-known pop songs, but it is so ghastly in virtually every other respect that would hesitate to programme it.

But we are always open to new ideas. For example, the screenings of the Bolton-set film versions of Bill Naughton’s comedies Spring and Port Wine, and The Family Way, complete with on-stage introductions and an exhibition, courtesy of Live from Worktown, were well received and it was great to feel a whole auditorium reacting to those 1960’s movies. It is always gratifying to welcome people to our theatre who have never been before too. So now we are getting ready for The Greatest Showman, a musical tailor-made for watching in company and so popular we are holding two sold-out showings on 2nd November. I will no doubt be nervous again, but fingers-crossed by the end of the day I will have some new fond memories.

This article first appeared in the September 2019 edition of Bolton Little Theatre’s newsletter The Prompter.

Green for Frankenstein and other news

Poster art of Alistair Sim and David Prowse

Plenty of activity this month. First up, the latest episode of The Official Talking Pictures TV Podcast is out and amongst it marvellous cotirie of reviewers, you’ll hear me outlining the merits of two very different comedy thrillers – Green for Danger and The Horror of Frankenstein. Which one most alarmed the British censor? You might be surprised. Compliments to Adam Roche for another excellent installment.

Still on podcasting, BERGcast the series all about Quatermass, has now reached Hammer’s first adaptation The Quatermass Xperiment, and it’s an entertaining hour looking at the pros and cons of the 1955 movie. As usual it also has background information I have never heard before. Personally I have disagree over Brian Donlevy though. Often criticised as hopelessly miscast, for me I like his driven, almost monstrous version of the scientist. It may have come about more be accident than intention, but Donlevy’s Quatermass as tough private eye portrayal is memorable and distinctive compared to many other academics of Fifties SF. This is a movie where the hero is actually adding to danger as much as combating it, and for me that is part of its strength.

book cover

Rik Hoskin has two exciting projects to talk about. Out now is an audio drama adaptation of his bestselling White Sands graphic novel set in Brandon Sanderson’s shared Cosmere universe. You can listen to the trailer and buy it from Graphic Audio right now. I have not heard it yet but intend to obtain it soon. Coming in November is a follow-up to his excellent comic series Red Rising: Sons of Ares. A prequel to the bestselling space opera adventure series Red Rising by Pierce Brown, Wrath carries on the early career of terrorist/freedom fighter Fitchner and his fight against the tyranical caste-based empire which rules the Solar System in the future. I loved the first six issue run and I’m looking forward to more of Rik’s storytelling and Eli Powell’s intricate but fluid art. Follow the link to read an interview at Bleeding Cool.

Ultimate Finality posters

Finally Bolton Little Theatre are presenting A Bunch of Amateurs between 16th and 21st September. As well as assembling the sound effects and music, I’m helping with the marketing. Part of that is creating a quick video advert and I had the idea of coming up with some fake posters for faded US star Jefferson Steel’s recent movies, which you can see above. It should be an excellent comedy and having seen rehearsals I can recommend it.

Fine Line Doctor Who audios are back online

Cover artwork montage

Back in the Nineties, when new Doctor Who had been absent from our televisions screens for a while, a fan mini-industry of fiction, audio and video adventures sprang up. I had become caught up in serious Doctor Who fandom in the mid-Eighties and it was in the pages of Celestial Toyroom that I first discovered adverts for the Audio Visuals, Doctor Who stories made by some of the talents who go on to found BBV and Big Finish Productions. They were extremely polished for the time and inspired me and some friends to create our own stories on cassette, selling them through fanzine advertisements. I decided to called our group Fine Line, after a quote from the marvelous comedy film This Is Spinal Tap. For me, these sonic adventures gave me a chance to write and produce credible adventures without the limitations that VHS films made in the local suburbs had.

In time, cassettes were replaced by CD-R’s, which in turn were supplanted by MP3 files. My old Fine Line website began as a way of advertising and selling my productions, and became the main means of distribution. Eventually I decided to concentrate on original work and gave up paying for the host.

Recently I have been learning up to date skills in website creation via my BSc degree apprenticeship. It’s been fascinating to learn HTML, CSS and Javascript in an organised course. The first time I was learning as I went, using magazine articles and whilst I made working pages, there significant gaps in my knowledge. In order to keep mind in the zone over the summer, I decided to create a website to host my old fan fiction projects. Audios which taught me a lot about writing, directing and seeing a creative project through.

You can find the results at http://18060801.webdevmmu.uk/ You’ll find two seasons of stories, trailers, some behind the scenes articles, and cover images and more. It’s an evolving site and I intend to add more material from time to time. Who knows I might even complete a couple of unfinished shorts we recorded back then. If you download them, I do hope you enjoy them. Love to hear what you think if you do.

BERGcast – The Quatermass podcast we’ve been waiting for

Injured spaceman with helpers

The history of Professor Quatermass in all his many incarnations across television, cinema, books and stage is a particular love of mine, so I would be a cheerleader for this new podcast series, even if I wasn’t one of it many contributors.

It’s the brainchild of cult tv enthusiast, Jon Dear and Howard Ingham, and over the next few months will cover every serial, film, and spin-off, together with a couple of diversions into media which is closely connected to the development of Quatermass.

Episode one is out now, in which Jon is joined by writer, comedian and television historian Toby Hadoke to talk about the origins and significance of BBC’s The Quatermass Experiment, and analyse the first episode “Contact has been established”. The remainder of this now largely lost serial will be covered by them in the next segment.

It’s an excellent debut. Ingham writes a fascinating introduction in which he points out that in many ways, watching Experiment is to witness not so much a show as the ghost of a television programme. The subsequent conversation between Dear and Hadoke is full of fascinating information that I didn’t know about the making of the serial. Hadoke is the ideal guest to start off this series, since he has been corresponding and interviewing as many people behind the scenes of the Quatermass serials as he could since he was teenager. Since few of the cast and crew involved are still with us, this has resulted in a unique archive of memories. He has also spent hours in the BBC archives reviewing the paperwork and uncovering all kinds of incidental gems, such as the cat being recast because the original was “too savage”.

You can listen to it at Jon’s blog Views from a Hill or with the Podbean app.