Cannot get enough of Aladdin

That plucky young lad from Ancient China seems to keep crossing my path at the moment.

For a start I’ve just been making a video trailer for Bolton Little Theatre’s production of Aladdin in December. This one is based on a script by Alan P Frayne, who has previously provided scripts for BLT’s Jack and the Beanstalk and Cinderella.

Once again I was in the Forge studio theatre, improvising with the cast, but this time the emphasis was on laughs rather than menace. I had expected to be filming the cast in their civvies, but the wardrobe mistress was marvellously able to dress everyone who turned up in appropriate panto gear. We worked pretty fast, keeping the camera in one place this time and moving the actors in and out of the frame. I did not have much time to work on a polished script or too many takes because the cast were due to hold a full readthrough that evening. Then it was time to put the footage into the ever reliable Cyberlink Power Director to add some effects and a Chinese overlay downloaded for free from the company’s website. Hope folk like the result. It will be going live on Facebook next week.

For more details and to book tickets please visit Bolton Little Theatre’s Aladdin page

Meanwhile I am delighted to announce that there are two productions of my own Aladdin, co-written with Adrian Barradell, coming this Christmas.

November – St Anselm’s College, Wirral, UK
December – 2nd Comber Drama Group, County Down, UK

More details when I get them. If you would like to know more about my take on the famous tale, please visit my page at Lazy Bee Scripts

 

 

 

Rumplestiltskin in Lancashire

I went to see Mawdesley Amateur Dramatics Society last Saturday night to see their excellent production of Neighbourhood Watch by Alan Ayckbourn. I used to be a regular member of this group and it was there that I cut my pantomime teeth, both as a performer and later a writer. The visit reminded me that my MADS friends have also set up a website with an excellent gallery of past productions, including the first ever performance of Rumplestiltskin and other scripts of mine, including Dick Whittington where I played Dame Dollop. My last Dame role up until now.

Check them out below:

Rumplestiltskin 2015

Treasure Island 2013

Aladdin 2008

Dick Whittington 2007

Good memories and if you are in the Lancashire area, their productions are well recommended. Next up I believe is King Arthur, written by my former collaborator Adrian Barradell.

Pantomime season for me starts in the Summer

It’s been an encouraging time for me lately on the pantomime front. This year I published my first panto as solo writer – Rumplestiltskin – via Lazy Bee Press. It’s always nerve-wracking to send my work out into the world, waiting to see not only if people like it, but will some people actually put real money on the table to stage it. My last panto, a version of Treasure Island co-written with Adrian Barradell, had failed to attract much interest. So it was a pleasant surprise when I received my latest sales report and read that a Washington based group called The British Players had chosen it as their pantomime for this year and will be staging it 4 – 20 December at Kensington Town Hall. Many thanks. Back in the UK, my old comrades at Mawdesley Amateur Dramatic Society are also kindly staging a production of it too. Another community group had bought a review copy, whilst Lowdham Pantomime Group has generously chosen Aladdin the version written by Adrian and myself a few years ago.

aladdin_poster

Pantomime are curious beasts to write. On one hand they are very formulaic and indeed their audience expects them to be so. A familiar folk tale. a silly dame, heroic boy and girl, completely evil villain, usually with two useless henchmen, and a monster at some point to chase the cast around. On the other hand a good panto also surprises us with its contemporary jokes and its magic. There must be a moment where all seems lost and the bad guy will win. It must entertain children of all ages and their parents too. Plus I know I am writing for companies where not everyone is a great actor or comedian. The characters must have strong identities of their own that can support anyone brave enough to step in front of an audience. There’s real pleasure to be had when I see someone get a big laugh with a joke I wrote for them.

At the moment I am trying to write in a different genre but I may well return to panto in a year or so’s time and choose another fairytale to retell both in my own style, and also with all the trusty pantomime tools in the box too.