Cover artwork montage

Fine Line Doctor Who audios are back online

Back in the Nineties, when new Doctor Who had been absent from our televisions screens for a while, a fan mini-industry of fiction, audio and video adventures sprang up. I had become caught up in serious Doctor Who fandom in the mid-Eighties and it was in the pages of Celestial Toyroom that I first discovered adverts for the Audio Visuals, Doctor Who stories made by some of the talents who go on to found BBV and Big Finish Productions. They were extremely polished for the time and inspired me and some friends to create our own stories on cassette, selling them through fanzine advertisements. I decided to called our group Fine Line, after a quote from the marvelous comedy film This Is Spinal Tap. For me, these sonic adventures gave me a chance to write and produce credible adventures without the limitations that VHS films made in the local suburbs had.

In time, cassettes were replaced by CD-R’s, which in turn were supplanted by MP3 files. My old Fine Line website began as a way of advertising and selling my productions, and became the main means of distribution. Eventually I decided to concentrate on original work and gave up paying for the host.

Recently I have been learning up to date skills in website creation via my BSc degree apprenticeship. It’s been fascinating to learn HTML, CSS and Javascript in an organised course. The first time I was learning as I went, using magazine articles and whilst I made working pages, there significant gaps in my knowledge. In order to keep mind in the zone over the summer, I decided to create a website to host my old fan fiction projects. Audios which taught me a lot about writing, directing and seeing a creative project through.

You can find the results at http://18060801.webdevmmu.uk/ You’ll find two seasons of stories, trailers, some behind the scenes articles, and cover images and more. It’s an evolving site and I intend to add more material from time to time. Who knows I might even complete a couple of unfinished shorts we recorded back then. If you download them, I do hope you enjoy them. Love to hear what you think if you do.

Promoting Ladies in Lavender – and myself

One of the aims of this blog is to be a one stop shop for my work. It’s been busy lately, both with completing the first year of my Digital Technology Solutions Apprenticeship and supporting the last three productions of the Bolton Little Theatre season. But this does give me creative outlets: two new videos and my first self-created webpage in a long time.

Ladies in Lavender, based on the popular film written by Charles Dance and starring Dame Maggie Smith and Dame Judi Dench. Adapted for the stage by Shaun McKenna. I decided to go for a simple slideshow style trailer due to having limited time. Finding a good young male violinist photo was surprisingly hard. I shall also be designing the sound and operating the sound desk for that week 11th to 18th May.
Spring and Port Wine, the classic Northern comedy drama by Bill Naughton, which became a beloved Sixties Bolton movie starring James Mason and Susan George. Again a simple slideshow format, using vintage newspaper photos, a location from the film, and music from Youtube’s stock library. The music was originally intended to be “Times They Are A-Changin'” but that is not allowable due to copyright. I’m compiling the sounds for this final play of the season, but happily I am getting help on the sound desk.

Please visit Bolton Little Theatre’s website for more information about our excellent productions. You can also see more of my trailers for local am dram groups by browsing my Youtube channel.

Back in the late Nineties’ I was keen to join in the internet revolution and make my own webpage. I self-taught myself HTML and created a small website to promote my Fine Line Doctor Who audios, uploaded to the personal webspace I received as part of my NTL subscription. It was great fun but once my audio production days faded, my skills faded. One of my favourite parts of my current degree has been Web Development, and its been good to learn HTML, CSS and Javascript in an organised way, as well as updating my conception of how today’s web works.

As part of this I had to create a personal profile page as an assignment and you can take a look at it. The webspace comes courtesy of the degree course, but it is owned by me, rather than the university, and might well host a more interesting creative site in the coming months. Watch this space.

Gareth addressing classroom

The Dresser

Life is slightly stressed at the moment. In addition to my Digital Technology and Solutions Apprenticeship (above is a picture of myself speaking as part of National Apprenticeships Week) I am fulfilling my commitments to Bolton Little Theatre and assembling the sound cues for the last three plays of the season, most crucially The Dresser, which will be presented 8th -13th April. I’ve just made a trailer to promote what promises a marvelous play, and I decided to use the opportunity to learn about Adobe Premiere. I’ve been aware of this software for years and seen others using it. It’s used on all Westlake Film shorts. It is something of an industry standard at the lower end of video production. Manchester Metropolitan University now installs it as standard on their PC’s and my work computer has recently been upgraded.

My first impressions are pretty good. Compared to Cyberlink Power Director, my usual choice of video editor, the interface can be a bit intimidating and confusing with so many windows opening, but there is a logic to it. It didn’t crash and there is an impressive set of tools. The audio clean up tools were particularly helpful on this project, because I had recorded the actors in far from studio quality surroundings, although the reverb from the auditorium did add to the atmosphere for this play about a theatre company. I might add more thoughts about using it in time. For now, I hope you like my first Adobe Premiere promo clip.

The story: World War Two is grinding on and England perseveres. Last of his kind, actor/manager ‘Sir’ and his wife ‘Her Ladyship’ continue touring Shakespeare in the provinces with a company depleted by conscription. Sir is plainly unwell, discharging himself from hospital and Her Ladyship believes he should cancel his upcoming performance of ‘King Lear’. However Norman, his loyal, outspoken dresser disagrees and is determined that the show will go on.
You can find out more and book tickets from http://www.boltonlittletheatre.co.uk

Two other quick bits of news. James Axler’s Deathlands is back from the nuclear wilderness with a new series of audiobooks, edited and written by Rik Hoskin. Rik has written several of the original range, as well as masterminding the later years of its spin-off Outlanders.
Deathlands is a post-apocalyptic USA adventure series following a band of warriors searching for a home, but only finding mutant horrors, extreme environments and violent communities, as well as more bizarre SF threats.
The first book in the relaunched series is Glory’s Stockpile and you can listen to an excerpt at https://soundcloud.com/graphicaudio/deathlands-134-glorys-stockpile

Finally, the second episode of the Talking Pictures podcast is out and you can hear me and my thoughts on the Laurel and Hardy short Tit for Tat within it, amongst many other talented contributors. There is also an excellent interview with the head of Talking Pictures –
Sarah Cronin-Stanley. Listen to it at Spotify, ACast, iTunes or from Adam Roche’s own blog: https://www.attaboyclarence.com/the-talking-pictures-tv-podcast

Table with PC and mixing desk

Pantomimes, stories from two World Wars, and an Apprenticeship

Plenty going on at the moment, which has left me trying to find the organising equivalent of Hermione Grainger’s magical Time Turner gadget to fit it all in.

Most pressing at the moment has been compiling and operating the sound effects for Bolton Little Theatre’s production of the WW1 play “Private Peaceful” Running 10th – 17th November 2018. It’s the story of Tommo Peaceful, a British Army private facing the firing squad for mutiny. As he waits for the dawn, he looks back to his childhood in the Sussex countryside and his hellish experiences in France. As sound design I have created a trailer as well.

It’s always interesting to find the effects and then edit them to fit the director’s intentions. Not all my sounds are authentic to the period but they fit the model of what the audience will expect to hear on a battlefield. When I was first learning audio drama production, I soon appreciated that there are certain conventions about sound, such as arriving lifts which ping ,that are vital shorthand in telling a story. However whilst its good to keep my audio skills fresh and to help create a theatrical play, I do intend to pull back from this kind of role for a while after Private Peaceful has finished.

Why? Because there is plenty going on elsewhere. For a start I have begun a part-time degree called BSc(Hon) Digital & Technology Solutions Apprenticeship at Manchester Metropolitan University. I do believe that decisions and people can connect in unexpected but beneficial ways. So although there is not an obvious crossover between fiction writing and programming / web development /  business information systems, part of me thinks what has started as an opportunity to update and increase my technical knowledge, might help my creativity nous too.

Six Million Voices logo

Recently I was approached by my old friend Nigel Anderson, director of Angel Snow amongst others, too take part in a new exciting project. Six Million Voices is a short film inspired by the classic book about the Holocaust – The Diary of Anne Frank and is being made in cooperation with the Anne Frank Foundation. It is built around the album of music and narration produced by Chris Williams. You can listen to some of her music via her Soundcloud page.

I have been asked to play Anne’s father and the founder of the organisation, Otto Frank, which is a great honour and I am looking forward to working with Nigel and Chris soon. I’ll be able to tell you more about this film and my role in a future update. In the meantime for more information about Anne Frank and the work of the charity set up in her name, visit their website.

The sound of sleigh bells is in the air and I am delighted to announce that four theatre troupes have chosen to put on productions of the pantomimes I have written/co-written. Knowing how much work goes into any panto production, it is always very gratifying when people choose my work. I hope they all have a great time and if I get hold of any posters I’ll share them here. So coming soon for Christmas:

  • Aladdin, Spotlight Performing Arts, Middlesbrough, UK
  • Aladdin, All Saints’ N20 PCC, London
  • Rumplestiltskin, Fairlight Pantomime Group, Fairlight, UK
  • Treasure Island, Whitefriars College, Northcote, Australia

Thanks for reading.