Hope you are well. A quick round up of several pieces of interesting news.
Firstly, I am hosting the latest episode of the Official Talking Pictures TV podcast which has just been release, covering the Talking Pictures schedule for second half of October. For non-UK readers, Talking Pictures is marvellous, family run independent UK television channel which shows vintage movies from the 30’s to the 80’s. The podcast was started by Adam Roche, the genius behind the podcasts Attaboy Clarence and The Secret History of Hollywood. Later he handed into the capable hands of Scott Phipps, Mel Byron and Daniel Reifferscheid who’ve been doing a marvellous job since. But they deserve a break, so several regular contributors including myself are handling an episode each.
So I was sent MP3’s of the guest reviews and it was up to me to edit them into a programme, providing the linking material and adding some extra thumbnail reviews. Juggling that with my other work has been a challenge but happily I was able to clear an evening to put it together. Basically trying not to drop the ball. In this show you can hear reviews of films like Mona Lisa, Leave Her to Heaven and The Quatermass Xperiment. You can download it from this link or listen on all the major podcast apps.
Excellent news from my mate Rik Hoskin. His graphic novel Only Death Can Save Us won the Indie Volt Award from Best Graphic Novel of 2021. Rik adds “I say ‘my’ when really it’s mostly Russ Leach’s work, I just provided the script! Book 2 has just launched crowdfunding on indiegogo, so the award came at a good time!”
Another friend and a splendid guest on the debut episode of my podcast Very British Futures, Nigel Anderson, has been busy on his own video podcast Doctor Who – Most Wanted and episode 3 is on Youtube now. He’s joined by VBF regular John Isles to talk about the Dalek stories, especially the missing or unmade episodes. It’s just as polished as the first episodes and well recommended.
It’s getting busier as a new academic year looms and the UK slowly brings itself back to normality after more than a year of lockdowns and distancing. I’ve reached that stage where I am having to be careful about how I manage my time and future plans, but that’s really a good state of affairs to be in.
The Very British Futures podcast has been a great success and definitely the most fulfilling project I’ve been involved in for a long while. It’s been great to reconnect with some old friends and make some new ones along the way. Plus I’ve enjoyed the speed of the production process too. So it will be a wrench to take a break but I need to to concentrate on the final year of my BSc apprenticeship. Season 1 will be ending with a look at Outcasts and a reunion of three regular contributors. Season 2 will be coming in the Spring of 2022 and will feature another wide spread of British programmes, from Day of the Triffids to The Comic Strip. Thanks to all the blog readers who have supported it.
Rik Hoskin’s novel Bystander 27 has made a good debut. You can read my review on the blog. For newcomers it’s a fresh take on the superhero genre, looking at what it is like to live as an ordinary New Yorker in a city that seems to constantly under attack by super criminals, invasions from other dimensions, and power crazed scientists. Whilst Captain Light and The Jade Shade fight in the air above Manhattan one day, it’s business as usual for Jon Hayes, ex-soldier, and his pregnant wife Melanie, Until a burning helicopter thrown from the sky crushes Melanie in front of her husband. Grief starts Jon asking questions about the whole pantheon of superbeings. Why are there unnamed leagues of minor and major superheroes who only fight enemies at their ‘level’? Who can hold people like The Mechanic to account? Why is the world imperiled once a year by a threat that can only be defeated by a large team up? As Jon delves deeper he’s shocked to find his search coming painfully close to home.
The nature of modern publishing being what it is, reviews and social media are significant indicators that what publishers’ keep an eye. So not only do I recommend the book, if you have read it or do in the future, if you can leave a short review on Amazon etc. or just tweet your thoughts, it can really help. You can buy Bystander 27, a standalone fantasy novel from all good bookshops.
Unusually, some news from my day job. Manchester Metropolitan University’s Brooks Resource Centre was recently featured as a model of good practice by the National Technician Development Centre. You can read an article about where I work on the website, and see the above lovely picture of myself and fellow technician Lucy (pretending to be a customer).
After a long hiatus, Bolton’s amateur theatre scene is coming back to life. I’m currently involved getting the sound together for Bolton Little Theatre’s first production of the season Dick Barton – Special Agent. It’s quite a challenge since as well as the needs of this play, I am also putting the sound deck back together again and upgrading it too. But it will be ready for 13th September.
Dick Barton – Special Agent is a fast-moving comedy, affectionately mocking the famous 30’s/40’s hero of radio, TV and film, as he and his sidekicks Snowy and Jock battle Evil Foreigners In London (EFIL) and their plan to drug the nation with cannabis-laced tea. Running 13-18th September 2021. You can book online now.
Although I have stopped linking to every review, I am still a regular reviewer on the Talking Pictures TV podcast. The station has gone from strength to strength, with an increasing amount of vintage British television joining their film library. Their Saturday Morning Pictures programming has been a big success, and they are hoping for equal reaction to their new Friday night cult film nights, The Cellar Club, hosted by Caroline Munro. I review the first night on the current podcast, which includes Hammer’s The Mummy and nudie flick How to Get Undressed in Public. Available, like Very British Futures, on all major podcasting platforms.
Recently I had the pleasure of guesting on The Randomiser podcast, talking about Doctor Who and Red Dwarf with Tim Reid and Chas Auchterlonie. The time flew by and hopefully the episode will be out soon. In the meantime you can check out this excellent banter pod at randomiserpodcast.buzzsprout.com
In further podcast news, my friends and VBF contributors John, Dani and Rebecca will shortly be starting Tripodscast, all about the classic BBC SF show and perfect if we’ve intrigued you with our recent coverage. Nicky Smalley is also going into the podcast business with Unended, a show pondering what happened next to the fictional lives of characters in popular TV shows.
I’ll be back soon with more on Outcasts soon and other theatre news. Thanks for reading.
A definite change of tone for this episode and possibly the most serious drama I’ll be covering in the series. Not to mention being a BAFTA award winning production. Threads is Mick Jackson and Barry Hines’ coal-black spectre at the feast of television. A dramatic portrayal of the effect of nuclear war on Britain, including the then new theory of a nuclear winter. What makes Threads such a shocking watch is not the graphic radiation injuries, the shootings or the wrecked towns and cities, it is the complete loss of hope, kindness and any kind of compassionate humanity. As far as this film is concerned, not only will the immediate survivors be quickly reduced to merely surviving, but their descendants will be barely be better than stunted savages.
Before that grim, almost surreal last act, the film is an expertly written and produced drama documentary, full of well-observed Northern characters and believable detail, as Sheffield City Council prepares for a possible attack, whilst the populace get on with their lives, feeling helpless and detached from the news of conventional war in the Middle East.
To discuss Threads I was glad to invite Rik Hoskin, writer across many platforms from award-winning comics to novels by way of games and audios, and Andrew S. Roe-Crines, lecturer in political science at Liverpool University. The latter has already contributed to my Tripods episode.
Cast: Karen Meagher – Ruth Beckett Henry Moxon – Mr Beckett June Broughton – Mrs Beckett Reece Dinsdale – Jimmy Kemp David Brierly – Mr Kemp Rita May – Mrs Kemp Harry Beety – Mr Sutton Ashley Barker – Bob Phil Rose – Medical Officer Michael O’Hagan – Chief Supt. Hirst Steve Halliwell – Information Officer Brian Grellis – Accommodation Officer Peter Faulkner – Transport Officer Anthony Collin – Food Officer
Producer and Director – Mick Jackson Writer – Barry Hines
You can listen to this episode on Apple Podcasts, Google Podcasts, Spotify, Podbean, Listen Notes and many more platforms. You can also download it from this very page.
If you do listen to it on a platform that encourages feedback, we would love a review. Or share a link. Many thanks for reading.
Shortly before I started out making my own podcast series, I took part in Nigel J Anderson’s own video podcast Doctor Who Most Wanted, alongside Brian M Clarke. The same line-up would meet again online a couple of weeks later to record the first episode of Very British Futures.
Now that podcast is available on Youtube and I urge you to watch, especially if you have been enjoying Very British Futures. The focus of this episode is on reconstructions of missing episodes, both official and fan-made. I knew Nigel had ambitious ideas but I’ve been taken aback with how polished and visually entertaining the episode has turned out, thanks to the many hours he has put into it, to turn a Skype chat into a proper half hour episode.
Where possible the Skype footage is enlivened with CGI illustrations, alongside an animated clip of the unmade William Hartnell story Masters of Luxor, a clip from Nigel’s live action recreation of the opening chapters of Doctor Who in an Exciting Adventure with the Daleks, plus other animations.
We cover quite a range of topics in course of the episode, including a look back at The Stranger series starring Colin Baker, the recent animated Troughton stories, and what stories we would especially like to be returned to the BBC archive.
In other news, there is still a little time to take part in Rik Hoskin’s Terror Trumps Kickstarter campaign and get a copy of his marvelous 70’s retro horror card game. If you want to learn more, take a look at their Kickstarter page http://kck.st/3bLx6zm
Grisly, lurid artwork. An array of horror fiends, both classic and original. Yes it is the return of Rik Hoskin, Tim Brown and Chatri Ahpornsiri’s labour of love Terror Trumps a card game which is also a homage to the classic Seventies Top Trumps Horror packs. I wrote about this project a few months ago. Now I’m the proud possessor (ho ho) of the enhanced version 2.0. Not only do many of the cards feature fresh characters and new art, but each carries a witty description by Rik too. Plus they’ve introduced more power-up cards too.
Horror and childhood are closely linked. Not just because we are having the formative experiences that future storytellers will be tapping into for the rest of our lives, but because children are paradoxically one of the major markets for terror filled merchandise. Halloween is around the corner and the supermarkets are full of gaping mouthed zombies, scowling skeletons and howling ghosts, all aimed at the family market. Plenty of toy franchises have their share of monsters. Harry Potter is infused with fairytale gothic. Nineties children made Goosebumps a phenomena. Eighties kids could enjoy Freddy Kruger replica gloves and dolls. But I’m a child of the Seventies and let me tell you we had some messed up merchandise aimed at us, material which somehow seemed a lot closer to the horror aimed at the supposed adult end of the market. Writers and artists on comics like Misty, Scream and 2000AD deliberately tried to get away with as much as they could when it comes to disturbing stories and illustrating them. Children’s television drew from the visual language of Hammer and its rivals. Even the public information films wanted to scare us. Merchandise like the infamous Aurora horror model kits, including one of a screaming girl known only as The Victim! Whilst at school we were playing Top Trumps, which included two marvellous Horror sets. Now Rik Hoskin, Tim Brown and Chatri Ahpornsiri have paid homage to these inspired games with their very own Horror Hot Trumps.
The original Horror and Horror 2 sets were distinguished by wonderfully lurid artwork printed in bright four-colour comic strip style. Blood spurted from victims as monsters attacked them. Everything rendered with dark dramatic inks, the artwork could be ugly, but that was part of its energy. They were recently reprinted by Winning Moves in new retro editions. Just in case you have not come across them, it’s a simple card game where players draw a card, compare stats and player with the highest value wins the round and the other’s cards. Eventually the winner owns all the cards, although in practice when a game dragged on and we got bored, a majority was accepted. Aircraft, football players, motorcycles were typical subjects. Now with these set we could compare the merits of the Madman (killing power 69) against The Living Skull (killing power 63) or The Sorcerer (killing power 72). But Top Trumps had a secret weapon of collectibility. Long before Pokemon and Magic the Gathering, its maker knew enjoyment came as much from flipping through a pack to read their info. For a generation of young fear fans raised on Saturday night TV double bills, and Dennis Gifford’s Pictorial History of Horror Movies, we loved the artwork, not least because we could often recognise the famous publicity stills which the artist had cribbed from. For a Doctor Who fan like myself there was the bonus of seeing a Sea Devil carrying a blood drenched axe, here renamed Venusian Death Cell, or a Daemon now employed as a Fire Demon.
Hot Trumps is labour of love by Rik Hoskin, multi-media writer and no stranger to this blog, and comic strip artists Tim Brown and Chatri Ahpornsiri. I received a promo pack of Horror this weekend and I love them. Designed to played in their own right or mixed in with the Top Trumps originals, they perfectly capture the gleeful, gory style and humour of the Seventies cards. Amongst my favourites in this set are Martian Machine (horror power 90), Raw Rex (Fright Factor 80) and Dracula’s Daughter (Physical Strength 69).
If you would like a set of your own, the team will be unleashing a Kickstarter very soon. You can find out more by visiting their new website http://hottrumps.com/ and joining the mailing list.
Rik’s having a busy month, not least because he’s still been on the publicity trail for his new novel Bystander 27. He’s written articles for The Nerd Daily and File 770. He’s been interviewed by Roni Gosch for the Litcast of Doom podcast about his marvellous tribute to the Silver Age of comics.
Perhaps most impressively he’s now on YouTube, in conversation with Pierce Brown, author of the New York Times bestselling Red Rising SF series. Talking about Rik’s Bystander 27, and their collaboration on the Red Rising: Sons of Ares comic book series, as well as taking questions from the audience. Enjoy. It was organised by publishers Angry Robot. And read Bystander 27 if you haven’t already.
What’s it like to live in a world of superheroes? To turn on the news and hear that an invasion from another dimension has just been foiled by a team of brightly costumed men and women with incredible powers. For the second time that year. Or your trip to the shops is disrupted by an army of living clothes or a wall-destroying rumble between two men in hi-tech armour?
This is a question that’s been on the mind of Rik Hoskin and it’s the kernel that has resulted in “Bystander 27”, an exciting science fiction adventure, set in a brand new world of superheroes and villains. Hoskin is a veteran author of many rollicking science fiction adventures in the “Deathlands” and “Outlanders” series, writing under the name of James Axler. He’s also written a comic shop’s worth of material for Superman, a host of Disney properties and many indies as well. In “Bystander 27” he brings all that love for the genre into an ingenious page-turner.
Ex-Navy SEAL Jon Hayes is standing on a Manhattan corner, looking forward to meeting his pregnant wife Melanie, but instead witnesses her violent death as collateral during a fight between Captain Light and one of his archenemies, the Jade Shade. His grief soon turns into an obsession to find out more about how these super-powered individuals operate. However, the more he discovers about them, the more questions he has. Then whilst reviewing a piece of video footage of a recent costumed conflict, he sees something truly impossible.
There are plenty of twists and turns to come that I would hate to spoil because a lot of the pleasure in this novel is the way the mystery is unravelled. Hoskin clearly has a ball creating a fresh hierarchy of heroes, their mighty nemeses, and then dropping in references to previous adventures. Some have echoes of famous DC and Marvel characters and there is fun to be had recognising the little tips of the hat. He captures the tone of classic comics exactly right, and leaves the reader wishing to know more about the exploits of The Hunter, The Mechanist or Doctor Decay. It feels like an established world.
New York is described equally well, with some great turns of phrase and touches of humour about its inhabitants. When it comes to action, and there is plenty of that, the fight scenes are excellently choreographed and sharply written. Hayes is an engaging protagonist, capable, skilled but still vulnerable and believable.
In a media landscape saturated with comic strip heroics, Hoskin manages to find an original angle and has written an exciting high-concept science fiction adventure.
Long time readers of this blog may recall that my friend Rik Hoskin has already had a long career of writing novels under other people’s names, like James Axler. So it was overdue that he got a chance to write one emblazoned with his own. A name that can already be seen on many a comic, graphic novel, DragonCon award and much else. Bystander 27 is a hugely enjoyable SF adventure set in a world of original superheroes, but told from street level. What’s it like to live in a place in a place which is regularly invaded by aliens, or threatened by monsters created by mad scientists, where only a team of uniquely powered men and women can save you? Ex-SEAL Hayes had never really thought about the superheroes, beyond seeing the on the TV news. But when a battle above Manhattan claims his pregnant wife, Hayes’ search for answers take him down a dangerous route into a secret world.
Expect a fuller review soon but in the meantime you can read three excellent interviews with Rik released this week. Find out about the origins of his first original novel and some of his other recent projects over at Dynamic Forces.
John Freeman’s regular blog about the comic industry Down the Tubes catches up with Rik to talk about the novel, his recent graphic novel collaborations with Indian publisher Campfire, and being the lead writer of the computer game Game of Khans.
Finally there is quite an in-depth conversation with Rik about the novel over at paulsemel.com in which he talks about his writing methods and what he thinks about Abaddon Books’ description of his new book as “Megamind meets John Wick“!
Hello again. How are you? It’s round-up time again and whilst I’ve been recording some more reviews for the Talking Pictures TV podcast, some good friends have been much more productive.
The latest edition of the Talking Pictures TV Podcast is out now. Now being overseen by Mel Byron, Daniel Reifferscheid and Scott Phipps, it’s in a slightly shorter but hopefully more regular format. And they’ve kindly included my cheerful appreciation of Hammer Film’s loony fantasy adventure The Lost Continent, which will be appearing on the UK channel on 4th March at 12.10am. You can download the podcast from your favourite player or the home page.
Rik Hoskin has let me know that his second graphic novel set in the world of Pierce Brown’s Red Rising books is about to be unleashed on the 19th March. Set in an empire that spans the solar system, where people are born into strict castes and most are forced to live as slaves for a ruling elite called the Golds. Red Rising – Sons of Ares: Wrath continues the story of how disgraced Gold Fitchner became the leader of a ruthless resistance movement known as the Sons of Ares. I loved the first volume and I can wholeheartedly recommend this SF epic. You can get a taste of it from the trailer below:
Finally I’ve been continuing my work at Bolton Little Theatre, producing soundscapes for Things I Know to be True and Brighton Beach Memoirs. I’m grateful for the help of two fresh volunteers Steven and Sam who come on to the sound side lately. Here’s two promos I’ve put together for the productions too.
Plenty of activity this month. First up, the latest episode of The Official Talking Pictures TV Podcast is out and amongst it marvellous cotirie of reviewers, you’ll hear me outlining the merits of two very different comedy thrillers – Green for Danger and The Horror of Frankenstein. Which one most alarmed the British censor? You might be surprised. Compliments to Adam Roche for another excellent installment.
Still on podcasting, BERGcast the series all about Quatermass, has now reached Hammer’s first adaptation The Quatermass Xperiment, and it’s an entertaining hour looking at the pros and cons of the 1955 movie. As usual it also has background information I have never heard before. Personally I have disagree over Brian Donlevy though. Often criticised as hopelessly miscast, for me I like his driven, almost monstrous version of the scientist. It may have come about more be accident than intention, but Donlevy’s Quatermass as tough private eye portrayal is memorable and distinctive compared to many other academics of Fifties SF. This is a movie where the hero is actually adding to danger as much as combating it, and for me that is part of its strength.
Rik Hoskin has two exciting projects to talk about. Out now is an audio drama adaptation of his bestselling White Sands graphic novel set in Brandon Sanderson’s shared Cosmere universe. You can listen to the trailer and buy it from Graphic Audio right now. I have not heard it yet but intend to obtain it soon. Coming in November is a follow-up to his excellent comic series Red Rising: Sons of Ares. A prequel to the bestselling space opera adventure series Red Rising by Pierce Brown, Wrath carries on the early career of terrorist/freedom fighter Fitchner and his fight against the tyranical caste-based empire which rules the Solar System in the future. I loved the first six issue run and I’m looking forward to more of Rik’s storytelling and Eli Powell’s intricate but fluid art. Follow the link to read an interview at Bleeding Cool.
Finally Bolton Little Theatre are presenting A Bunch of Amateurs between 16th and 21st September. As well as assembling the sound effects and music, I’m helping with the marketing. Part of that is creating a quick video advert and I had the idea of coming up with some fake posters for faded US star Jefferson Steel’s recent movies, which you can see above. It should be an excellent comedy and having seen rehearsals I can recommend it.