My favourite theatre is opening its new season with Jessica Swale’s accessible, funny and intelligent play about the infamous 17th century royal mistress. In this take, she is a woman not only of her time, but also ahead of it. She was England’s first well known stage actress, thanks to Francophile King Charles II’s abolishing the stricture that women were not allowed to tread the boards. The author enjoys drawing parallels between 1660 Drury Lane and the West End of today, ruefully pointing out that some problems like good roles for women and the dangers of celebrity have been with us for centuries.
I’m involved with the realising the soundscape and I’ll be one of the sound operators during the week of the show. I had been offered a part but sadly did not have the spare time to take the director up on it. Last Sunday I attended the rehearsal and filmed some of it to create a promotional video, which I’ve just uploaded to social media. Starting off with 40 minutes or so or material, I gradually pared it down to a few clips which were full of movement and expression. The music has been specially recorded for this production and will be heard on the night. I’m pretty pleased with the way this one has turned out, and I hope you like it too.
Nell Gwynn runs 17th to 22nd September 2018 at Bolton Little Theatre. For more information and to book tickets, please visit http://www.boltonlittletheatre.co.uk
As Bolton Little Theatre’s new season hoves into view, so does my side job of making promotional trailers for the plays in the 2017/18 run. Sometimes an idea for the trailer comes to me easily and other times it is a real struggle to think of a 30 sequence that will sum up the story and make it appetising. It’s a bit similar to writing in fact.
With Dead Guilty, the psychological thriller by Richard Harris which opens our season in September, the idea took a while to land, then I thought about a close-up on Julia’s face. She is the main protagonist and it is a story in which she is confined and oppressed. I thought she could give a speech to camera taken from the script. With the help of director Peter Scofield and actress Kim Amston, I developed this idea into a series of mid-length and extreme close-ups of the whole cast, delivering selected lines of dialogue. It took about two hours to film, using the Forge studio theatre. A lot of that time was taken with finding interesting angles to film Kim in Julia’s wheelchair, followed by several takes of each line. The result has been well received and hopefully will sell a lot of tickets. If you are intrigued then please visit Bolton Little Theatre’s website
Now I am turning my mind towards the second play Rabbit Hole. I have vague idea, again using actors rather than a slide show. Below is the trailer for the whole season, which is a good example of the latter style. Thanks for reading.
A new season of plays is opening next week at Bolton Little Theatre, kicking off with Alan Ayckbourn’s gender swapping comedy If I Were You. I’ve put together a video trailer for it, the first of a new season of movie-style teasers, rather than the behind the scenes style I’ve used in the past. My aim is for none of them to be much longer than 30 seconds. So far it seems to have gone down very well, with plenty of hits on Facebook and Youtube. Hope you like it too.
Here’s the text I’ve written for the website: “A hilarious comedy about swapping bodies, living someone else’s life, and learning something unexpected.
“The Rodales seem like an ordinary family, but beneath the surface things are beginning to crack. Jill and Mal have lost the spark in their marriage, their son Sam resents his father and their daughter Chrissie has recently become a mum and is dealing with marriage issues of her own. And while they all share advice on how others should live their lives, nobody is really taking it on board – until Mal and Jill see things from a dramatically different perspective, that is.
“Waking up one morning and finding they have switched personas, Mal in Jill’s body and Jill in Mal’s, they must continue life “as normal” as their other half. Jill faces the challenges of working with their laddish son-in-law, Dean, as the Store Manager of a homewares shop, while Mal has suddenly becomes a housewife, learning more about his children – and finding out the secrets they already know about him!
“Will seeing things from the other side make matters even worse, or is this just what they need in order to save their family?”
Tickets are £10 and you can book them at the box office or online.
It’s time for another quick collection of announcements about what my friends and I have been up to creatively and in some cases professionally too.
Last year I did an email interview about my times with BBV and writing three Doctor Who spin-offs, for a chap called Dylan Rees. Dylan is writing a book about the vibrant audio and video spin-off market which arose from the final years of the show’s original run and filled in the so-called “wilderness years” between the original and the revived versions of Doctor Who. It will be published later this year by Obverse Books. I’m looking forward to it, not just as a contributor but as a fan of that era. The cover has been already been released:
Notice Sylvester as The Foot Doctor on the cover too! You can pre-order it from Obverse Books now. I’ll review once it is out.
My ever busy mate Rik Hoskin has had several projects out recently, including the first of a new range e-books based on 90’s cult TV show Hercules – The Legendary Journeys. I enjoyed Storming Paradise enormously. It captures the feel of the show very well. You can try a sample and order it from Amazon. He’s also written a second motion comic episode of Wolfblood, the hit BBC children’s series about werewolves. You can watch a trailer of it here at the BBC website.
Finally I recently made a new trailer for the next Bolton Little Theatre production. Taking Sides by Ronald Harwood is an excellent drama based on real events surrounding a US army investigation into suspected Nazi party members, following Germany’s surrender in WWII. Was famous conductor Wilhelm Furtwangler just a patriot on the losing side of the war, or an active member of the Nazi party? Colonel Arnold, traumatised by witnessing the aftermath of Auschwitz, is determined to find some culprits. For this trailer I decided to create a movie style one which sold the story, rather than a behind the scenes talking head piece. The results I think are pretty successful and I intend to make all subsequent BLT trailers story based too.