Category: News

Bright Eyes – Play for Tomorrow – Very British Futures

Out now on your favourite podcast platform, the latest episode of Very British Futures, covering Bright Eyes, the second Play for Tomorrow from the makers of Play for Today. Broadcast in 1982. Written by Peter Prince and directed by Peter Duffell.


New Year’s Eve 1999. Great Britain is part of the European State. The Euro army is in the midst of a controversial war in the Middle East. Wealthy businessman Sam Howard has come to a French prison to see his daughter Cathy, who has been arrested for being part of a conspiracy to assassinate a pro-war politician, and is now facing execution. The authorities hope he can persuade her to issue an apology regretting her actions, allowing them to commute her sentence to prison time. Waiting outside her cell, Sam’s memory flashes back to earlier New Year’s Eves. 1979 when she was six years old and left with him overnight by his ex-wife. 1989, when she was sixteen and he criticised her 60’s themed party as disrespectful to the genuine struggles of that decade. When she said didn’t care about politics, he told her to start taking an interest and challenge to official line about the coming war. Now a crowd of journalists wait outside the prison, his ex and her legal team are helpless and he must decide whether to ask her to betray her principles to save her life.

One of the good things about making this series is when a guest helps me see a programme in a new, usually better light. This was the case with Bright Eyes and my friend Jon Arnold. An experienced writer and commentator, Jon’s enthusiasm for this play about the generation gap, activism and pragmatic politics was infectious. Hope you find this an interesting episode.

You can find the episode on all major podcast platforms, including Spotify.

Crimes – Play for Tomorrow – Very British Futures

To coin a phrase “Good news everybody!” There’s been a hiatus with the Very British Futures podcast for a few months, although I have been recording several conversations. The reason was that I am presenting a mini-series about 1982 BBC anthology Play for Tomorrow and I wanted it to be hitting your ears on a weekly basis. So I couldn’t release the first one until they were all ready to go.

But today is the day and you can hear what Rod Brown (host of Nostalgia Tours podcast) and myself made of the first entry – Crimes by Caryl Churchill.

Play for Tomorrow was a short-lived experiment by television producer Neil Zeiger, who was already in charge of the well-regarded Play for Today strand of one-off plays which ultimately ran for 15 seasons between 1970 and 1984. Amongst its wide variety of original stories were modern classics like Blue Remembered Hills, Abigail’s Party and Edna the Inebriate Woman. Whilst most of its plays were realist, it occasionally ventured into science fiction, most notably in The Flipside of Dominic Hyde. It was the success of that time travel comedy that encouraged Zeiger to propose a mini-season of plays set in the near future UK, based on realistic scientific and social science predictions.

Crimes is not so much as story as a think piece, a collection of linked monologues. building a picture of a more regimented Britain in the shadow of a continued Cold War. A group of prisoners are attending a mandatory therapy session under the chairmanship of Melvyn, a successful criminal psychologist. But is Melvyn himself really in a good place to be deciding on other’s sanity?

I deliberately wanted to have some fresh voices in this mini-season, as well as some old friends. Rod Brown is a fairly recent podcaster on the seen but his Doctor Who podcast Nostalgia Tours is already building a rep for itself. He’s an excellent guest as you’ll find out in this episode. Hope you enjoy this special set of Very British Futures episodes, available on your favourite podcast app.

Farewell, Great Macedon + The Queen of Time

I’m pleased to share with you that I am the guest on the latest episode of the podcast Doctor Who – Too Hot for TV, hosted by Dylan Rees. Together we are looking back at two unmade stories from the 1960’s – Farewell, Great Macedon and The Queen of Time. Both have been recreated as dramatised audiobooks by Big Finish. I’m particularly happy with the way this one has turned out. In fact I think it’s the best of my three guest spot so far because I sound more confident and fluid and there’s a lot of interesting Doctor Who behind the scenes details to talk about.. You can listen to the episode here https://www.buzzsprout.com/864883/episodes/17368333-s5-e33-just-a-bit-of-tea-with-a-wee-lassie and all the major podcast apps.

Farewell, Great Macedon was submitted by Moris Farhi to the show’s script editor David Whittaker during the first season in 1964. It features the First Doctor as played by William Hartnell. Unusually amongst the so called “lost stories” of Doctor Who, it exists as a fully written script rather than just an outline, which helps make this adaptation feel just a bit more legitimate. Nigel Robinson, a skilled adapter of early Doctor Who stories, wrote the audio version and Big Finish mainstay Lisa Bowerman directed William Russell and Carol Ann Ford, who played two of the Doctor’s first companions. John Dorney guested as Alexander.

The TARDIS lands in the Hanging Gardens of Babylon, where the travellers meet Alexander the Great who welcomes them with hospitality. But history teacher Barbara realises that they have landed a few days before Alexander’s death and with the TARDIS needing to recharge before it can leave, the four friends find themselves caught up in court treachery. It’s a splendid story and for me one of the high points of Big Finish’s Doctor Who range.

The Queen of Time features the Second Doctor, as played by Patrick Troughton and was written by Brian Hayles. Hayles had written several stories for the series and this proposed adventure owed a large debt to one of them, The Celestial Toymaker. This time Catherine Harvey adapted the detailed plot outline and Lisa Bowerman once again directed. Former companion actors Frazer Hines and Wendy Padbury performed it, with Caroline Faber as Hecuba.

The Doctor and his companions are mysteriously invited to meet Hecuba, the Queen of Time and sister of the Toymaker. Trapped in her realm, the Doctor must ward off Hecuba’s romantic overtures, whilst Jamie and Zoe face a series of deadly puzzles. This is something of a misfire for me and I enjoyed getting into why I don’t like it.

As well as recommending Too Hot for TV as a great podcast anytime, I’ll take a moment to remind you that Dylan’s second book Myths and Legends, a deep cut into independent filmmakers Reeltime Pictures, will be out soon. You can find out more here.

Before I go, my friend Rik Hoskin has had a new short story published in the premiere issue of Goblins and Galaxies Magazine called “Tournament in Frow” and you can find out more below:

Goblins & Galaxies #0 Summer 2025

Busy times for friends

Hope you are well. Apologies for it being a bit quiet around the blog this year, but I’ve been working on a few projects so that I can have a bit of a podcast event in the not too distant future. It’s a mini-season of Play for Tomorrow and I want all six episodes in the can, to guarantee I can release them weekly. In addition, I’ve recorded two further installments on Codename: Icarus and The Tomorrow People, which hopefully follow soon after. Meanwhile at work I’ve been working on my first authored VR projects, as opposed to just being a consumer of other people’s apps. And there’s some other activity that I can’t talk too much about yet. So there’s going to be more regular posting soon. I also thinking of releasing some old reviews which have never been in print before but which I think have some value. Speaking of reviews, I talk about Boris Karloff: The Man Behind the Monster in the latest episode of the Official Talking Pictures TV podcast.

Rik Hoskin is as busy as ever. Amongst his output are two short stories, one for an anthology and another for a fiction magazine.

Behind the Revolving Door: An Anthology of Choices is a forthcoming book from Celestial Echo Press.

Each of us makes a multitude of choices daily, some minor and some with major consequences. Do you eat cereal or oatmeal for breakfast? Skip it entirely? Do you or don’t you wear your lucky shirt to the sports event? What do you think the consequences would be if you didn’t wear your lucky shirt?

This anthology will be a collection of stories that will take you on a journey with the author’s protagonist as they make a decision. We will ask for stories that take them through a trial and force them to take an action, to make a choice. For example, the character comes to a fork in the road. Do they take the right path or do they take the left? Does the character find a wallet on the ground? Do they open it? Return it to the owner, or keep it? What are the consequences?  Do they encounter a second choice, going back through the revolving door? Do they find classified information, implicating a family member in a coup? What do they do with it?  What happens next? Is the character hiking through the woods, and finding a portal, not knowing where it will take them if they enter? What happens? Is it so bad that they try to return, hence going through the revolving door? There are many, many ways this theme can be interpreted.

They have invited five authors, some award-winning and some award-nominated, including Rik. The remainder of the stories will come via open submissions and they anticipate a September release.

Meanwhile the publishers of Cosmic Horror Magazine are launching a new title that promises to be a spiritual successor to Weird Tales – Goblins & Galaxies Magazine. Rik will have a story in the premiere issue which is currently launching on Kickstarter: https://www.kickstarter.com/projects/crtyra/goblins-and-galaxies-magazine

We are passionate about turn-of-the-century pulp magazines like Weird Tales and have tried with each issue to pay homage while also amplifying modern story-telling techniques and diverse voices. We want to bring that same approach to a brand-new magazine emphasizing Sword & Sorcery, Dark Fantasy, and Science Fiction.

The marvellous Dylan Rees has guested on two episodes of Very British Futures and I’ve been a guest on three episodes of his Doctor Who Too Hot for TV podcast. A few years ago he published a book about the so-called “Wilderness Years” of Doctor Who called Downtime. Now he’s shortly to release a brand new book in a similar vein – Myths and Legends: The Reeltime Pictures Story.

This is the inside story of Reeltime Pictures, from the earliest days of its acclaimed Myth Makers VHS tapes, through the production of its ambitious dramas and documentaries. Boasting a wealth of quotes from many of those involved, the book tells the story of one man’s passion and dedication to develop a valuable archive of material chronicling the complete production history of classic Doctor Who.

You can pre-order the book now from Telos https://telos.co.uk/shop/doctor-who/myths-legends/

Chatri Art, the man behind the marvellous music for my podcast has been in a productive phase recently and releasing several new songs on bandcamp.com I can recommend the following:

THE VOLCANOS / SESSIONS 1972-3 by Chatri Ahpornsiri and Maybin Marwell and Tony Harris, check it out here.
“Unreleased and improved sound of the music from the early 70’s with added sound, until now. I hope you will enjoy the noise we make.”

SUMMER TO REMEMBER by Chatri Ahpornsiri, check it out here.

THE LIFE AND TIME OF WITCH DOCTOR GOY by Chatri Ahpornsiri, check it out here.

SO MANY TIMES / SINGLE by Chatri Ahpornsiri and Helen W Jackson, check it out here.
“2002 Single E.P. 2 songs 2 mixes each. Helen W Jackson : vocal”

Out of this World – Very British Futures

When I started the Very British Futures podcast I wanted to shine a light on programmes that didn’t have much of a following, that didn’t get talked about much online. Since then I’ve learnt that its good to mix up such programmes with well known titles because listeners like to hear discussions of shows they’ve seen as well as discover old series.

Listen to the Out of this World episode on Spotify

Out of this World is exactly the kind of series I designed this podcast for, and researching it myself I’ve come to be sorry that more it hasn’t survived. It was the first anthology of serious, adult orientated science fiction on UK television. Although both BBC and ITV companies had produced one-off adult dramas SF dramas, such as The Time Machine (1949) and The Ship That Couldn’t Stop (1961), a fully fledged evening series of upfront SF stories was a risky proposition. As it is, Out of this World was a well-received success and would have undoubtedly have had a second season if producer Sydney Newman and story editor Irene Shubik had not left ABC to work for the BBC. But the series was reborn on BBC2 as Out of the Unknown and you can find out more about that marvelous anthology in this podcast episode.

Most of the plots were based on existing stories from the golden age of science fiction, with a couple original scripts in the mix, including an early work about body snatching invaders from Terry Nation – “Botany Bay”. Each episode was introduced by cinema legend Boris Karloff, in the urbane uncle kind of role he often played in his later career. Tragically only one episode has survived – “Little Lost Robot” but that and the other surviving material suggests a very watchable series made with love and care.

See if you agree by listening to the latest episode, in which I am fortunate to be joined by Dylan Rees, host of the Doctor Who – Too Hot for TV podcast and writer Peter Grehen. They had the challenge of listening to me describing missing stories and then reacting to them, and they had some fun insights. You can get the episode on your favourite podcast app or on Youtube.

Whilst I’m here, I glad to tell you that my friend Chatri Art, who wrote the music for Very British Futures has a new album out – The Underdogs. To listen to it, try the player below or visit his Bandcamp page.

Cruise of the Gods – Very British Futures

SF conventions have been making appearances in comedy films for decades. It’s not hard to understand why, as the exotic fantasy worlds of science fiction meeting the mundanity and compromises of the present day and its fallible inhabitants creates a gap that is ripe for observation and storytelling. Then there’s the glamour of celebrity and the shared contract of delusion that exists between artists and their fans. Fandom is a place that build marvellous communities, but also be tawdry and hurtful.

Amongst films and television that have depicted this are Staggered, G.B.H, Paul, Free Enterprise, Frasier, Community, The Big Bang Theory and most famously Galaxy Quest. Less well known but a marvelous example of this sub-genre is the 2002 TV movie Cruise of the Gods. Made by Baby Cow Productions for the BBC, it stars Rob Brydon and Steve Coogan as actors Andy Van Allen and Nick Lees. Both were the stars of an imaginary 80’s tv show Children of Castor. The show was set on a post-apocalyptic Earth, minus the USA (“America is Pollux!”) and featured a New Wave pop group who survived to become the inheritors of humanity. Now in 2002, Nick is globally famous for the US show Sherlock Holmes in Miami, whilst Andy is a barely working actor, supporting himself as a hotel porter. We learn that Andy has been a self-centred jerk most of his life. His lack of success and his resentful reliance on his cult fame has left him lonely and bitter. Most of the film takes place on a cruise ship taking holidaymakers, including a SF convention, around the Greek islands. Andy is the guest of honour, along with the show’s writer and a former actor who played a mutant in the opening credits. But his minor celebrity is overshadowed when Nick turns up completely by chance, filming the latest episode of his series. Andy is initially furious, but when Nick offers him a chance to appear in his programme, Andy sees an opportunity to finally become a star again.

SF conventions on cruise ships are regular events, but there is an extra nostalgia for me in seeing this manner of grassroots event, with guest panels, discussions and competitions, in an era where many conventions have largely become merchandise markets. The film features several actors who would become famous in the Noughties, including David Walliams and James Corden. As well as amusing guest appearances playing themselves from Jack Jones and Brian Conley. It’s a funny, feelgood drama that gently pokes fun at fans but without cruelty.

Cruise of the Gods is the subject of the latest episode of Very British Futures. You can listen to the podcast on Goodpods or any of the major podcast platforms. My guests, actor Cliff Chapman and podcaster Dani Wray, had originally recorded an entirely different episode about The Comic Strip Presents, but due to my clumsiness I lost the recording. So they very generously offered to record a new episode. I had toyed with the idea of covering Cruise of the Gods for a while. Whilst it is not science fiction, it is definitely about British cult television. Hope you enjoy it as much as we enjoyed recording it.

Exploring A for Andromeda and The Andromeda Breakthrough | Very British Futures Podcast

I am delighted to announce a new episode of my podcast Very British Futures. The first hopefully of a revived run of the show, after several months of concentrating my time on Bolton Little Theatre and my job at the university.

A for Andromeda and The Andromeda Breakthrough are fairly obscure today, compared to programmes like Quatermass or Doctor Who, but during 1961-62 they were popular successes for the BBC. It seems appropriate to talk about them now, at a time when Netflix has had a success with 3 Body Problem, another serious SF show about alien contact being conducted through radio communication. Written by noted astronomer Sir Fred Hoyle and TV producer John Elliot, the series begins with radio astronomers detected a message from an alien intelligence. That would be profound enough, but the message turns out to be a blueprint for a new kind of computer, more powerful than anything on Earth. Building the computer in turn creates new life, first an octopus like being, then a beautiful woman they christen Andromeda, based on the body of a murdered female technician. As politics, the military, and a ruthless tech company called Intel (no relation) become involved, maverick scientist John Fleming fights against the alien AI, whilst falling in love with Andromeda. The sequel takes the surviving characters to the Middle East, where a new computer has been built and Intel intend to dominate the world with its technology. But Earth’s weather is running out of control, thanks to Fleming’s interference and only the computer can save us, if it wants to.

Joined by Nigel Anderson and Brian Clark, friends I had worked with on the very first episode covering Pathfinders in Space, this has been a very interesting production to research and produce. After recently covering several high-profile shows, it was good to tackle something a bit more off the beaten track. You can listen to the results on all the major platforms, including YouTube, and find out more about the series, plus the BBC4 remake and the 70’s Italian version by visiting the podcast’s website at: https://westlakefilms.uk/verybritishfutures/

Rik Hoskin has been in touch to tell me about his involvement in a new PC computer game. He is the script editor and consultant on a live-action comedy dating game Forgetting Emily. To quote the blurb on its Steam store page: “When is it time to move on? Before your ex gets married to someone else… right? You play as Alex, a struggling musician invited to his ex-girlfriend Emily’s wedding. It’s in Turkey. It’s in one month. You said you’d bring a plus-one… so the countdown’s on, because you don’t have one.
Filmed in live action, you see through Alex’s eyes as he makes decisions that can land him just about anywhere as he tries to find his ideal date for the wedding. The trouble is, Alex doesn’t have much money, and it seems like everyone who offers to help is also conspiring against him … which is to say, YOU!”

Congratulations to Rik as he adds even more strings to his creative bow. If you would like to find out more, check out the game’s website https://www.forgettingemily.com/

Space: 1999 – Very British Futures

When I was growing up, Space: 1999 was one of the big SF shows. Although I never watched it religiously in the way I followed Doctor Who, nevertheless I had a Dinky die-cast Eagle toy, several annuals and I thought the uniforms looked really cool, especially the colourful jackets they wore in the second season. As a show it was always present in the background, in Look-In magazine, old issues of Starburst and Starlog, and in many of the other SF publications which filled the shops in the wake of Star Wars. Then for a while it seemed to lose its lustre with the fan community, at least in Britain. It became regarded as dull, or camp in the wrong way, an example of how television didn’t ‘get’ SF. But quality will out and in the wake of two serious-minded serial shows of the 90’s both set in one location: Babylon 5 and Deep Space Nine, ITC’s space opera was rediscovered and reappraised. Older fans even detected a story arc to Year One, a suggestion that the Moon’s journey was being controlled by some kind of cosmic higher power, that the Alphans were being prepared for a new destiny on another Earth.

I actually felt that Space: 1999 would already be well covered by podcasts so I avoided it at first. However I am glad I changed my mind because this twentieth episode of the podcast is proving to be one of the most popular episodes so far. Having good contributors helps, and I was delighted to have my friends and talented writers Kara Dennison and Ian Taylor along for the ride. Their contributions are fascinating and amusing.

You can listen to the episode now on Spotify and the other major podcast platforms, including Youtube. Hope you enjoy it and I intend to pick up the frequency of episodes for the remainder of the year. Coming next will be The Comic Strip Presents.

Vampire Invasion and other news

Hello there! It’s another quick round up of news from myself and friends this time.

After Hangmen was an enormous success for Bolton Little Theatre and myself personally getting some of the best notices I’ve ever had for playing Syd Ambleside, I have gone back into the control box for the next play of the season – Player’s Angels by Amanda Whittington.

In 1950’s Nottingham, John Player’s girls have the best jobs, the best wage and the best hairdos in town. And now, there’s a new face on the Navy Cut machine as 15-year-old Mae comes fresh from the country for her first job at the tobacco factory. Mae lodges with her Aunt Glad who sits alongside her on the production line but keeps her assignations with the young factory foreman to herself. Led by workmates Cyn and Vee, Mae takes her first steps into the world of the Player’s Angels: where a young girl can lose her halo and find her wings.

Running 22nd – 27th April, it’s a warm-hearted play about a group of friends supporting each other and facing a changing Britain, as the coronation of Queen Elizabeth II ushers in a new age. You can book tickets now from Ticketsource.

Rik Hoskin and Chatri Art have been busy with a project of their own, a graphic novel called The Vampire Invasion. Set in 1969, their wild story imagines an alternative history where Neil Armstrong and Buzz Aldrin’s landing on the Moon triggers a retaliation from a colony of Nosferatu-like vampires who have been living on the dark side for centuries. It’s a very entertaining romp that recalls the best of Warren’s 70’s Creepy and Eerie horror comics. Renaissance man Chatri Art composed the theme for my podcast and his dazzling artwork has been featured in games and album art. He came up with the initial concept for this book when he was a teenager.

Available from Viking Press in both hardback and paperback.

Rik also has a short story out this month in HyphenPunk magazine. The President’s Been Shot is a satirical cyber-punk with his trademark ingenuity. You can order it from Amazon Kindle or a PDF version from Ko-Fi.

Finally, my cousin Terrance McAdams has the second volume of his YA science fiction series out now. Biocode: Resolution finds Ciara and her friends discovering new twists to the mystery of a race of telepathic aliens who want to take over the Earth. Ciara has been seeing visions of her ancestor William on Captain Cook’s second voyage, but now she must travel into the past to save him and the future. Available now from all good bookshops.

Hangmen

In 1965 the death penalty, and hanging in particular, effectively ended in the United Kingdom. So what is Harry Wade, Britain’s last hangman to do? Especially when he is widely regarded as the country’s second-best executioner, after Albert Pierpoint? So begins, Martin McDonagh’s celebrated black comedy Hangmen, which is being staged by Bolton Little Theatre on 4th to 9th March 2024. Set in Harry’s grim pub in Oldham, where he holds court over a group of tatty regulars and his long-suffering wife and teenage daughter, the play opens with a young reporter seeking an interview with the hangman. Harry’s equilibrium is disturbed by the arrival of Mooney, a peculiar young cockney man. His unease increases when his despised old assistant Syd comes calling the next day, warning him about a strange visit he has recently had by a young man who knows a lot about their controversial execution of Hennessey a couple of years ago.

Poster for Hangmen, showing dangling feet

I am playing the part of Syd, Harry old assistant, and part-time pornographer. It’s a brilliantly written part and enjoying rehearsals a lot, not having played a major role on stage for a while. It is fun finding his accent, that variety of camp Northern nasal sound usually used by comedians like Alan Carr, but with more unhappiness and desperation.

Hangmen premiered in 2015 and went on to become a West End and Broadway hit. It has won several major awards and the original production has been broadcast by National Theatre. Its writer Martin McDonagh is probably best known for his black comedy films In Bruges and Three Billboards Outside Epping, Missouri. Hangmen is a superbly written play, funny and frightening in equal measure. I hope we get a healthy audience for it.

You can buy tickets online at ticketsource.co.uk/boltonlittletheatre.