Created in response to the popularity of Star Wars‘ R2-D2 and C-3PO, the Doctor’s robotic dog companion has had quite a busy life of his own. He has enjoyed a 1982 BBC spin-off Christmas special, toys, books, and numerous celebrity cameos. For years his creators, Bob Baker and Dave Martin, tried to get a fully-fledged K9 television series on-air and finally succeeded in 2009, no doubt helped by runaway success of the revived Doctor Who series. This boxset collects all 26 episodes of Brightspark’s Australian children’s television series, which was sold to several territories including Channel 5 in the UK. It is essentially a slipcase containing the two previous UK DVD releases.
London in the not too distant future where the government has become increasingly authoritarian. Robot policemen are on the streets. A secret branch of the government called The Division deals with alien incursions. Professor Gryffen works for The Division at his home laboratory, investigating confiscated alien tech, especially a time/space teleporter recovered from a UFO discovered in the Arctic. One night his experiments are violently interrupted, first by homeless teenage hacker Starkey, then a time/space portal opening up and unleashing a pair of reptilian warriors called the Jixen, pursued by K9. Overwhelmed by the Jixen’s attack, the robot bravely self-destructs to save the humans. To their amazement he then regenerates into a new sleeker form which can fly. K9 may have lost some of his memories but he is still super-smart, loaded with gadgets and loyal to his new “master” Starkey and his friends Jorjie, Darius and the Professor. Together they fight new alien invaders and the sinister plans of the security department, aided and abetted by Jorjie’s mother June, head of The Division.
The obvious comparison for this series is The Sarah Jane Adventures, the CBBC Doctor Who spin-off which also featured K9 in its later seasons. On the whole K9 – The Series is a more childish lightweight programme, its characters rarely having the depth of the regulars surrounding Sarah Jane Smith. Its format of individual 25 minute stories, compared to the two part story format of the British series, also means that most of the stories are pretty straightforward, with rarely much space for the characters to grow. But then something remarkable happens in the last ten episodes – it suddenly becomes much better in every department. Looking at the credits there is no obvious new writer or producer. It’s simply as if the team metaphorically drank a can of Red Bull and suddenly got inspired. From “The Cambridge Spy” onwards, the adventures are more exciting, the humour is actually funny and whilst the regulars do not get much richer, they do become more likeable and the acting become less stiff.
“Angel of the North” is the only episode written by veteran Doctor Who and Wallace and Gromit writer Bob Baker and it is definitely the highpoint of the series. The artic base which discovered the Fallen Angel UFO comes under attack from revived alien monsters. Atmospheric, well-paced and featuring some welcome insight into Professor Gryffen, it is the one story that really recalls the feel of Doctor Who. Other highlights are: “The Lost Library of Ukko” which is the only story to feature an alien planet, where Starkey and his regular Division enemy Thorn become trapped, forcing them to work together. “The Curse of Anubis” where K9 meets a race of Ancient Egyptian-themed aliens who he helped free from slavery in the past. Unfortunately they have turned into tyrants themselves. Soon he and nearly everyone else aside from Darius have been brainwashed into believing K9 is a god. And the aforementioned “The Cambridge Spy” where Starkey and Jorjie are accidentally sent back to the 1950’s and become involved with a suspected traitor.
The series has something of the look of the Mighty Morphin’ Power Rangers, with its young cast, bright colours and fairly stagey looking interiors. Its tight budget means that a surprising large ratio of its stories involve going underground so that the same tunnel set can be redressed again and again. Having most of the Division scenes take place inside what looks the back of a van is also distractingly cheap-looking. Sunny Brisbane looks nothing like London either. The aliens vary in quality from fairly credible rubber monster suits like the Jixen to stuff that wouldn’t be out of place at a Halloween party. On the plus side the title music and CGI opening sequence are quite catchy.
Originally it was announced that K9 would have a new voice but following a fan backlash, K9’s original voice – actor John Leeson – was hired. Personality-wise this K9 has become more of a smart-alec and has lost a bit of his fusty, slightly pompous academic manner which he had in Doctor Who, but he is still recognisable as the same character. Most of the regular actors have gone on to have decent careers in the last few years but it has to be said their performances here are often quite wooden. Daniel Webber (11.23.63, The Punisher) in particular as Darius labours with a pretty poor attempt at a Cockney accent. But the wooden spoon has to go to Connor Van Vuuren as villainous Division agent Drake. My jaw dropped every time this guy was onscreen, seemingly unable to deliver a single line convincingly. He was about as menacing as the Innkeeper in a school nativity. It’s no coincidence that Drake’s eventual removal coincides with the late upswing in quality. The best performance belongs to experienced TV and movie actor Robert Moloney as Professor Gryffen, even though he is a pretty stereotyped eccentric Brit scientist who drinks tea and dresses a bit foppishly.
These four discs are pretty light extras-wise, with only text profiles of the regular characters spread across them. It is a shame that the behind the scenes programme that is apparently on the Australian release was not included, since there is relatively little information available about this series.
K9 – The Series is to quote another SF series – mostly harmless. Not as good a spin-off as The Sarah Jane Adventures or Torchwood, but better at least than the lamentable K9 and Company. It is cheap, cheerful and there is nothing to offend a family audience, although small children may find the lumbering dinosaur-like Jixen a bit scary. As far as I know it is not currently available to stream anywhere, making these DVD’s your only way of seeing it. Doctor Who fans might like to buy it out of completeness but have better be advised to set their expectations to low.
I wrote this review for the Ciao shopping site but it was rejected because this DVD set is now out of print. So I thought I might as well publish it here. Hope you enjoyed it.
Torchwood High? Doctorloo Road? I suppose it’s appropriate that the latest addition to the Doctor Who family is something of an awkward adolescent itself. There are parts of it that are very good indeed, but there are also moments in these first two episodes when its teeth grindingly annoying too. Considering this is almost acclaimed author Patrick Ness’s first television work, it is confident work, and if the story gears are sometimes a little loud, it is aimed at a slightly younger audience who may not be as big a TV geek as me.
My heart did sink in the first half of For Tonight We Might Die listening to the tiresomely arch dialogue everyone was using, not to mention clunkers like Tanya’s “Isn’t it great not to have to talk about what the white kids want to?” But gradually the script calmed down and became more real, more engaging. The Shadowkin were effective monsters, the action was slick and the amount of blood surprising. The infodump scene about Charlie and Quill’s alien home was enlivened by the cleverness of seeing it through April’s imagination as a kind of paradise school of polite A+ students. I really like the concept of one supposedly enlightened race enslaving another as a ‘punishment’ but being embarrassed when the cruelty is pointed out. It is quite a neat metaphor for colonialism.
Peter Capaldi’s guest appearance was fun, particularly his joke about “strange” Ikea. For a man who says he hates banter, he was quite a puckish mood and surprisingly he was very complimentary about nearly everyone, I’d have thought one pudding brain reference would have got in. Katherine Kelly (Sarah-Lancashire-in-waiting as The Guardian newspaper amusingly put it) was also entertaining, although Miss Quill so far works much better as a comedy character than as a super warrior.
The Coach with the Dragon Tattoo was a definite improvement for me. It felt more confident, the dialogue much more natural and the plot the kind satisfying melding of Science Fiction A plot and emotional B plot that Doctor Who has learnt from Joss Whedon. The Ofsted sub-plot was fun too. They’ve definitely cast this well, all of the leads were impressive here, Fedy Elsayed and Vivian Oparah especially as sports joke Ram and lonely Tanya. Lovely little moment from the dinner lady too, that made her visceral death all the worse.
Class looks like it is going to be enjoyable, if slightly disposable entertainment for the next couple of months. It’s definitely aimed squarely at the Young Adult demographic and not suitable for children because of the amount of gore. Next week’s episode looks promising too. Going off the clips, after Steven Moffat’s emphasis on time paradoxes in the parent series, it’s fun to have one that showcases the monsters again.
It’s time for another quick collection of announcements about what my friends and I have been up to creatively and in some cases professionally too.
Last year I did an email interview about my times with BBV and writing three Doctor Who spin-offs, for a chap called Dylan Rees. Dylan is writing a book about the vibrant audio and video spin-off market which arose from the final years of the show’s original run and filled in the so-called “wilderness years” between the original and the revived versions of Doctor Who. It will be published later this year by Obverse Books. I’m looking forward to it, not just as a contributor but as a fan of that era. The cover has been already been released:
Notice Sylvester as The Foot Doctor on the cover too! You can pre-order it from Obverse Books now. I’ll review once it is out.
My ever busy mate Rik Hoskin has had several projects out recently, including the first of a new range e-books based on 90’s cult TV show Hercules – The Legendary Journeys. I enjoyed Storming Paradise enormously. It captures the feel of the show very well. You can try a sample and order it from Amazon. He’s also written a second motion comic episode of Wolfblood, the hit BBC children’s series about werewolves. You can watch a trailer of it here at the BBC website.
Finally I recently made a new trailer for the next Bolton Little Theatre production. Taking Sides by Ronald Harwood is an excellent drama based on real events surrounding a US army investigation into suspected Nazi party members, following Germany’s surrender in WWII. Was famous conductor Wilhelm Furtwangler just a patriot on the losing side of the war, or an active member of the Nazi party? Colonel Arnold, traumatised by witnessing the aftermath of Auschwitz, is determined to find some culprits. For this trailer I decided to create a movie style one which sold the story, rather than a behind the scenes talking head piece. The results I think are pretty successful and I intend to make all subsequent BLT trailers story based too.
One constant that has threaded through my creative life for more than ten years now has been Westlake, a group my friends and I formed to make short films, for our entertainment and hopefully for others. Through this group I’ve been able to write scripts and see them turn into actual videos. Not to mention opportunities to act, produce, be a microphone boom operator, a cameraman, a gopher and to get stage punched and kicked far too often!
Now we have a new website, thanks to the diligent efforts of Kevin Hiley and Andrew Crines, and you can find it right here at http://westlakefilms.blogspot.co.uk/ Many of the films have been re-digitised with improved picture and sound quality for this new site. You can stream them on YouTube or download them for free!
Over the years we’ve made original stories and documentaries, comedy skits, fan films (mostly about Doctor Who) and music videos. It’s been a great learning experience, as well as a lot of fun.
Here’s a few of my recommendations if you have not tried Westlake before:
In the Fan Films section
K9 and Bloke – an affection send-up of the awkward Doctor Who spinoff that tried to make the Doctor’s robotic pet a leading star. Charlie Wall plays a shabby PI who solves local crimes with the aid of a long-suffering K9. Written by myself and guest starring Nigel Peever.
In the Films section
Memories of the Mill – John Isles talks to his grandfather Frank Brook about his working life as they tour a preserved steam driven mill in Burnley, in this nostalgic documentary.
Help Wanted – a short ghost story inspired by the tales of the great M R James. A thief’s life becomes a nightmare when he violently robs a church. Written by myself and featuring great music by Peter Wicks.
In the Haberdashery section
The Unoriginal Adventures of Robin Hood – a wickedly funny mash up of a couple of BBC fantasy shows which were on air at the time, written and performed by the cast.
This is just a small selection of what you can find. Hope you enjoy it and we would all would love to hear your thoughts.
One from my archives. Back around the late nineties/early noughties I was a regular contributor to a Doctor Who website called timelord.co.uk As well as discussions, it used to have an active fan fiction side, including many chain stories we called “Random Fiction”. One of it’s long running series was “The Cool Kids of Time” created by Steve Lake. Originally a team of assassins trying to kill the Doctor and change history, they eventually reformed and became time agents for good. They had several authors and at one point I tried turning our stories into an audiobook series, removing the Doctor Who elements to make it an original SF entity. I also contributed one story to the series, “Just for the Record”. I found it again recently and I think it stands up pretty well. Hope you agree because I’m republishing it below, along with the audiobook version, read by the marvelous voice actor/anime sub translator Kara Dennison. It’s a straightforward pulp action tale of monsters and a kick-ass-babe.
You can listen to the audiobook version here:
Just for the Record
By Gareth Preston
“She’s here again.”
Neil raised his eyes from the scribbled lines in his order book and looked over at Joe. His friend had been re-reading his crumpled NME for the third time but now was surreptitiously nodding his head in the direction of the storefront window. That is, he thought he was being subtle, but it looked more like an embarrassing tic. He followed the direction of the jerks and saw with pleasant surprise an attractive young black woman standing outside. Her hair was close-cropped and her graceful neck flowed down to a trim toned figure. At least he imagined it did, she was wearing an expensively tailored grey coat. She wasn’t looking at the records on display, not even his cover of “The Kids are Alright” signed by Pete Townsend. Instead she was scanning the street and as he watched, checking her watch. Digital he noted. Suddenly she seemed to register that he was staring because she glanced through the window at him. He averted his eyes but not before he had registered the directness of her gaze.
“I reckon she’s been stood up,” opinioned Joe. “What an idiot he is eh?”
Neil tried to busy himself with the order book, but that was hard since the ratio of blank page to sale details was large and depressing.
“Idiot right?” Joe persisted.
“Yeah,” agreed Neil with studied casualness. He snapped the book closed and scratched his half-hearted beard. Looking around the empty aisles of his music shop he let out a sigh. Motes of dust swirled in the afternoon sunbeams. “Why don’t you check through the heavy rock section? Make sure it’s sorted right.”
Joe shrugged. “No one’s looked there since first thing. There’s nothing doing. Want to take a look?” He offered the magazine across but Neil shook his head.
“I think I’ll reorganise the window tonight. Get some of those Duran twelve inches up.”
A frown crossed Joe’s round face. “You changed it on Monday. It’s only mid-week.”
“Yeah well it’s not working is it?” snapped his friend.
“You ought to do it now,” advised Joe sagely. “Show off your prowess in front of the lady.” He gestured towards the window but was disappointed to see the girl had gone, leaving only the grey street. “Her fella must have turned up.”
Joe felt a mixture of disappointment and relief and felt annoyed by both emotions.
An orange glow bathed the street. All was quiet save for that indefinable urban background hum. There was barely any breeze but the air was cool. Neil dropped his empty Wimpy cup of cola into a bin and pulled out his keys. He knelt down and unlocked the metal roller blind guarding his shop door. The grating noise of its ascent seemed loud but he knew he had no neighbours to annoy. Yet he couldn’t rid himself of the feeling he was being watched. He glanced around at the shops across the road but they remained dark and silent. Dismissing the thought he unlocked the door and stepped in, the bell jangling out.
A brief time later he was leaning into the front window, changing some albums on the display rack, moving others into prominence. He had a vague concept about producing a more modern selection of titles but really there was as much personal intuition as market knowledge in his choices. When he’d been made redundant from the old engineering firm it had seemed like a golden opportunity to change the direction of his life. Music had always been his main interest, the design work had been something he had had an aptitude for. Like many a lad in the seventies he had a go at being in a band, as a bass player. Sadly after several months of big ambitions and small local venues, “Distress Flare” had petered out thanks to a mixture of egos, bad bookings and a letter from the drummer saying he had joined the navy. But the music always remained.
What was that? His reverie was interrupted by the image of a large dark mass moving frighteningly quickly out of the corner of his eye. He cupped his hands against the glass and peered out. Nothing in the road as far as he could make out. The silence seemed to deepen. Trying to dismiss the prickly feelings on his skin, Neil returned to his nearly completed work.
“Grooves” – his record shop seemed like a great idea eleven months ago. A way of turning his obsession into a practical job. Rhonda his then girlfriend had been all for it as well and together they’d made up the business plan, found the shop and cleaned it up. But like a easily bored child with a new toy (his opinion) once they’d got down to the day to day business of running the place, Rhonda had lost interest. Started going out at night on her own, then one day just not coming back. Now his capital was running out and the income was not flowing back fast enough. Joe had blamed it on the new compact disc format but Neil still felt that was not a convincing format. Look what had happened with laserdiscs. You couldn’t record on them, so the public hadn’t been interested. Anyway the sound quality on the compact discs he had heard had been annoying tinny compared to a halfway decent turntable.
There was another movement across the street and this time he did catch the source. His eyes widened in surprise as he saw the tall figure of the black girl from earlier in the day climbing up the front of the office equipment store across the way. She moved swiftly and efficiently and only when she had reached the top and swung herself upright did she look down. Nick followed the direction of her gaze and gagged in shock and disgust.
A sleek black monster strode angrily into view, its elongated head twisting to and fro. Neil’s terrified eyes took in its slick wet skin which stretched tightly across huge twitching muscles, the long barbed tail which whipped about its owner, metallic talons, a pair of thin slits for eyes which glowed with an inner crimson glow. He desperately wanted to run, to put as much distance as possible between himself and sheer unnaturalness of the creature. But his limbs were frozen with fear and all he could do was stand in the lighted shop window, waiting for the monster to turn and notice him.
Incredibly though, the oily head snapped upwards towards the rooftop girl in the shadows instead. The monster emitted a sibilant hiss and its tail reared in anticipation. Then it sprang upwards, clearing the front of the shop in two easy bounds. One of its clawed feet struck the business’ neon sign as it ascended. It clattered down to the pavement in a shower of sparks. Above the girl tossed aside her long coat in a swift movement and somersaulted backwards, out of Neil’s sight. The creature balanced nimbly on the parapet and hissed something that sounded like a language but he could not recognise it. Then it rushed forward and he heard crashing sounds.
With the creature out of sight, Neil found he could move again. With a lurch he turned and scrambled out of the shop window, scattering record sleeves and feeling at least one disc snap under his shoe. He dashed behind the counter and switched off all the lights. Covered in sweat, he stood for a moment in the darkness considering his next move. Could he make it out the door and down the street? The rear door was useless, it only led into a cluttered backyard with a padlocked rear gate that he didn’t have the key for right then. Should he phone the police? What could he say? He could lie a bit, say he saw someone breaking into the premises across the street and leave out the black glistening description. He heard a small explosion outside, followed by a demonic screech. Surely someone else must have seen the monster by now? Heard the fight that seemed to be going on above? Another explosion, no this was more of a zap, something electrical.
A sixth sense he never knew he had suddenly made him duck back into the rear storeroom just in time.
With an ear-splitting crash the front of his shop abruptly caved in as ten feet of leathery monster came crashing through the window, taking most of the surrounding wall with it as well. Its body ploughed through the tables, boxes and cabinets that made up the aisles, reducing them to jagged splinters on wood and vinyl. Clouds of masonry dust billowed into the air and the whole building shook with the impact. In the storeroom, Neil’s arms instinctively protected himself as records and boxes tumbled and crashed around him.
Finally it was over. Wincing from his bruises Neil pulled himself up and peered through the crooked door frame. The dust was beginning to clear, giving him a horrifying vista of the bombsite his investment had become. Sparks sprayed out from the old air-conditioning unit that was now dangling ominously from the ceiling on a frayed electrical cable. Instinctively he grabbed a fire extinguisher from the side of the door but before he could begin to understand how to use it, the wires had snapped and the unit clanged onto the floor. Burglar alarms were ringing in the distance. He gaped dumbly at the gigantic body that sprawled in front of him. The fierce jaws of the long head were hanging open, drooling thick saliva onto the dusty floor. He took in it powerful oiled torso and smelt a burnt vinegary aroma coming off it.
“What the hell are you?” he wondered out loud. Then he heard a soft groan and suddenly registered that there was someone lying on top of the creature. The girl, her body slicked with blood from a deep cut, her hands still gripping the hilt of the huge metal shaft which she’d obviously plunged into the monster’s chest. She raised her eyes to meet his boggling ones. After a moment she sighed and let go of the shaft, but not without a moment of effort.
“You never saw this. Understand?” she whispered. Then her eyes glazed over and she began to slide off the creature’s body. Neil stumbled forward to catch her. She revived and he supported her as she stood upright. She gazed down at her foe. “Never underestimate a Hericona. Tough bastards.”
She brushed Neil’s arm aside and began to walk towards the gaping hole in the wall with only a slight limp.
Neil found his voice, “Wait! Uh…what…I mean…who?” She looked back at him with a questioning expression. “What is it?” he settled on.
To his surprise she smiled. “I shouldn’t worry about it. Some of your black ops will be along in a while I expect and clean it all up. Not that they’ll learn much from him. I doubt their scalpels will scratch his skin.” She winced and he began to offer some help but she held up her hand to silence him. “I’m sorry mister, but this was private business. Sorry about your shop, guess it was in the wrong place.”
He couldn’t honestly detect much sincerity in her apology and a flash of indigence coursed through him. Gesturing around him he shouted, “Sorry! Just…just look at this place. This is my life! I’ve got everything in this place!”
To his frustration the girl had turned her back to him and was heading back to the door. Stepping over the dented fire extinguisher he had bought for safety, much good it had done him, he tried to stop her leaving. Wrapped up in his emotions, he failed to see the shudder that ran through the prone beast underneath him. His mystery woman was too busy trying to ignore his protests to react to the movement fast enough.
With a chilling shriek the monster swept upwards, more plaster raining down as the crest of its head struck the ceiling. At the same time the honed spike at the end of its tail whipped through the air, aiming straight towards her back. Neil yelped out a warning but before the girl could do more than twist her shoulders, the tail had speared her in the side. She didn’t scream, she just fell to the side with a soft groan. The creature swung its head towards him and hissed like a hard-breaking steam train. Looking into its gleaming eyes he suddenly became aware of the metal cylinder in his hand. He was still holding the fire extinguisher. In a blur of instinct he raised the tool, snapped off the safety ring and pulled the trigger. White vapour spurted into the monster’s face and it recoiled slightly. Still gripping the handle, Neil tried to move towards the door but already his predator had recovered and was rearing to strike.
There was a silver flash as something long and pointed shot across his vision and into the side of the monster. It howled and looked at the spear hanging out of its side, a match for the one still sticking into its chest. He felt a hand pulling him on his shoulder and looked around to see the girl, looking pale but standing. She tugged again and he got the message. As the dark giant thrashed around the room, gripping the spear they ran out of the door and into the sepia darkness.
They scrambled down the street and turned left at the end into a similar row of shops. Neil could tell that the woman was in pain by her ragged breathing. They couldn’t keep this pace up for long. His legs were already protesting as the adrenaline began to lose effect. With another sharp turn, his rescuer pulled into a dark backstreet. Feeling her way around a skip that smelt of wet cardboard and oil, she then stopped and nodded towards a bolted back door. He looked at her non-plussed.
“Okay then, I’ll do it,” she whispered irritatedly.
She stepped out, producing a coppery sliver of metal from her jeans’ pocket. Checking to make sure they were unobserved, she waved it over the lock and Neil heard a snap from inside.
As she moved she began giving a soft commentary. “This is a very handy toy to have in this period. Pays to do your research. By the end of the next century it’s all electronic and a couple of centuries back the locks are all too heavy for this baby. But right now it’s perfect. Dyanne’s useful for something.”
With a push, the door swung open and they walked inside.
It seemed they were in some kind of kitchen and instinctively he looked for a light switch. She must have read his mind for she whispered, “Don’t! We’re hiding remember?”
Then she swayed and he jumped forward to catch her as she began to fall forwards. Breathing hard he lowered her to the grubby tiled floor.
Her wound! Cursing himself for his momentary forgetfulness, he turned her slightly on to her side and with whatever light there was available, examined the wound left by the monster’s barbed tail. To his surprise it didn’t look as deep as he had feared, nor was it bleeding. Climbing to his feet he looked for the sink and was able to run some water over a J-cloth. Kneeling down he began to clean away the blood. The cold cloth made her stir and she looked over at him with unfocused eyes.
“What’s your name?” she asked quietly.
“Neil,” he answered, not looking up. Was it his imagination or was the wound smaller than when he first looked?
“I’m Chayni. Dammit, Chris is never going to let me forget this if he finds out. You won’t tell him will you? He’ll only fret.”
Neil sat back, resting his back against a cheap kitchen unit. “Is he your husband then?”
She sniggered gutturally. “No, he just acts like it sometimes. Suppose I like it really, having someone care what happens to me, but he can be a bit – conservative. Guess it’s the policeman in him. Listen to me. Rambling away to a stranger. Must have had a full load of poison in it that sting. Or maybe you’ve got one of those faces?”
“Poison!” Neil hunched forward in alarm. “What can I do? We need to get an ambulance.”
Chayni waved her hand. “Don’t panic. Nanobots are doing their job. Nullifying it. Good thing too, ‘cos I’d be lying dead in your shop otherwise. Funny that. The bastard’s legacy is keeping me alive. Bet he’d be really upset if he knew.” Before Neil could comment she continued. “But Hericona venom is some of the best there is. Even with the tech it still has side-effects on me. Makes me talkative for a start. Lowers my inhibitions. You might have noticed.” She grinned with a set of perfect teeth.
He couldn’t help but smile back for a moment. Then curiosity and worry took over again.
“What is that monster? Where’d it come from?” he demanded.
Chayni flapped her hand at him casually. “Keep it down! You want him to find us?” A look of concentration filled her face and she appeared to be trying gather her thoughts together. Then she seemed to give up the struggle and decide to just go with the stream.
“He’s the High Jokra of Frasheen family. From a lousy ball of rock called Hericona. I think he’s mad with me because I killed his brother.”
“His brother?” gaped Neil.
“Yeah, a nasty piece of work. Ruled a grubby little province but suddenly was rich enough to hire a gang of mercenary spaceships. I guess that why I was sent in to cut the head off the snake. They thought it was an ana – anoml – a mistake.”
Her voice was slurring and her eyes were hooding. Neil decided the best action was to keep her talking.
“So who sent you? I mean are you some kind of…” he groped for the right words. “…woman in black?”
Her eyes focused on his. “Huh? Lavarre named us the Cool Kids. I sometimes wondered if it was some kind private joke or something. We come from all over the multi-verse and we’re very good at what we do.”
“Killing anyone. For a fee. But that was then and this is now. We don’t do that schitck anymore, now we guard history! We won the contract from… powerful pan-dimensional guys. Well it was a kind of an offer I couldn’t refuse y’know?”
Something else had been bothering him. “Why here? Why didn’t you fight him in a desert or something? Away from people?” And their shops he added to himself.
“The early eighties were conveniently near,” she explained. “For the rest I had to improvise after… did you hear something just then?”
He craned his head around. There had been something, a distant clatter. Then his spine ran cold as he heard the scraping sound of something heavy being pushed aside. Indicating to Chayni to stay quiet, he frowned as he saw her slumped against the cabinet apparently unconscious. Slowly, he crept across the kitchen vinyl and pulled himself up too peer over the work-surface to the window. Just as he was trying to peer into dark, something massive flexed in the gloom and a massive claw erupted through the window, missing his head by a whisker. He scrambled back as the talons clutched in the air. A fierce red eye appeared in the jagged hole for a moment and another of alien’s chilling screeches juddered through the room.
“Why doesn’t somebody come?” thought Neil. “They must be able to hear that!”
He looked down at the unmoving Chayni. She would not stand a chance against her enemy. A small part of him told him to get deeper into the shop and hide. When the Jokra or whatever it was found her, it would kill her and then hopefully leave, vengeance achieved. Maybe she deserved it? Perhaps she was a hit-woman, a gangster with a price on her head. Hadn’t she already admitted to killing people for money in the past? All this went through his mind in a few seconds mixed with confused thoughts of attraction, movie heroes, gratitude and anger. By the time the dark, oily creature was begin to demolish what was left of the window frame and force its way in, he had made his decision. Grabbing the biggest knife from the floor, he leapt forward and jabbed it into the monster’s arm. The blade barely made a dent in the skin but the creature reacted with a hiss and pulled back for a moment. Neil dashed to the back door, already hanging off its hinges and swung it open. He dashed out into the street, screaming at the top of his lungs.
Tail swishing, the alien giant swung its head away from the ragged hole in the wall and regarded him for a moment. It’s working he thought with elation. With a lurch of his stomach he saw that it still had a spear sticking out of its chest. Must be jammed somehow, or it is too dangerous to remove it a dispassionate part of his consciousness wondered. His voice was hoarse but he tried to shout louder, tried to make himself look fierce, interesting and worth chasing. But to his despair the alien turned back to the rear of the shop. Jaws salivating, it began to crawl back into the hole. Neil looked about the street, trying to identify a weapon, something big and sharp. Just before he started towards a rusty skip, he heard a bang and a shriek of terrible pain.
To his confusion he watched as the monster’s body began to shudder. He could see blue-white flickers in the folds of its skin. A revolting smell of oil and burnt hair hit him with an almost physical force and all the time the creature screamed. Then it suddenly it was over and the monster slumped on to the brickwork.
It took a moment for Neil’s legs to work again but then he was running over to shop, shouting her name. When he reached the door-frame he stopped and peered through the dust and foul smoke. A dirt smudged Chayni was crouched in front of the creature, her hands still holding on to electrical cable which she had pressed against the creature’s embedded spear. Sensing his gaze she gave him a forced grin and laid the cable down, before rising to her feet.
“Note to self, do the job properly the first time when fighting a Hericona. It’s not enough to stake ‘em, you’ve got to cook ‘em in their jacket. No I’ll be okay, the nanites did their work in their own sweet time.” She was waiving away his proffered hand.
Neil stepped back and allowed her to leave what remained of the kitchen. They stood and regarded the faintly smoking corpse in silence. It was Chayni who broke the silence.
“You’ve got a good set of lungs on you. I heard you outside as I was coming around. Thanks.”
He was at a loss for words, so eventually he decided on, “Glad you’re okay.”
Sirens were slowly building up in the background. Her face lit up with a smile. “Sounds like me cue to be gone. You too if you’ve any sense. Like I said, let the experts deal with the body.” She leant over, wrapped her arms around him and kissed him full on the lips. Before he had a chance to release any of the questions or thoughts in his head, she just as quickly disengaged and ran down the street waving. Then he blinked and she was gone. The wailing was growing closer and Neil’s instincts took over, propelling him in the opposite direction.
Neil could still here the sirens as he approached his own shattered shop front, not to mention a helicopter overhead. They’d probably be here in short order. How could he begin to explain all this? He stepped through the front door, the bell jangling far too loud. Irritated he raised his hand to muffle the chimes and it was then that he saw the polished wooden box sitting on the grimy shop counter. Vinyl crunched underfoot as he walked swiftly over to it. Raising the lid he exhaled sharply as he saw the six gold bars inside. Lying on top of them was a note:
“Hi, this isn’t strictly policy but it seemed the right gesture. This should help you rebuild the shop, if that’s what you want to do. Personally I think you could do with a better location but what do I know? If you want to thank me, do me this favour. Remember Chris? If a big muscular good-looking guy comes asking after me, you never anything. Like I said he worries too much and I don’t need a lecture about Hericona blood feuds right now or ever. This was personal business. Stay cool. C”
Alien artwork by Rodolfo Hernandez – http://rahovart5.deviantart.com/ Audiobook reading by Kara Dennison – http://karadennison.blogspot.co.uk/
Later this month, 6pm 23rd September to be precise, I’m going to be taking part in a podcast all about the Daleks. In case you’ve not heard of them, the Daleks are a xenophobic alien race of monsters from British SF television series Doctor Who. They are also a significant part of pop culture and have been since their debut in 1963. That’s what this podcast is all about, the larger realm and influence of the Daleks beyond the television series. I’ll be joining John Isles and Anne-Louise Fortune to talk about comics, novels and merchandise. The all round excellent Nigel J Anderson of NJ Productions will be hosting and filming the event for later release on Youtube. The whole production is part of the ongoing activity of The Manchester Indie Filmmakers Group.
This is a sequel to our first, well received three part podcast on the missing episodes of Doctor Who, which we filmed earlier in the year.
Should be a lot of fun. We’ll be in the performance area of Manchester Central Library, so if you are interested in being in the audience and taking part please come along and join us. I’ll be posting the finished production on the blog later in the year.
One of my little side activities is writing reviews for the consumer site Ciao.co.uk, mostly on DVD’s. Unusually one my most recent submissions was rejected because the DVD in question “Doctor Who – Deep Breath” featured an episode I had previously reviewed as part of the Series 8 box set. Although as you’ll read the DVD also includes material not included in box set. Anyhow it seems a shame to waste the article, so my blog seemed an ideal home for it.
With the release of the complete Series 8 on DVD, is there any point buying a separate DVD of the first episode? Well it all depends on whether the chance to own its two exclusive extras is enough of an incentive.
There’s a Tyrannosaurus Rex on the banks of the Thames, multiple cases of spontaneous combustion amongst Londoners, and a brand new Doctor for the Paternoster Gang to take care of. Clara thought she knew who the Doctor was, but she is finding it hard to relate to this strange older man. Can the regenerated Doctor stabilize himself in time to stop the terrifying Half Faced Man and his gruesome plans for London?
Matt Smith’s first adventure “The Eleventh Hour” felt wonderfully fresh and different. It was not just the lead actors who had changed, there was a new production team installed down in Wales, led by Steven Moffat, who wrote the story too. Aside from the TARDIS, everything else was original. By contrast in “Deep Breath” only Capaldi is new and he is surrounded by Matt Smith elements like Victorian London, the Paternoster Gang of Vastra, Jenny and Strax, a continuing companion in Clara and eventually an old enemy from even further back. Steven Moffat’s still in charge as well and writing again. So there is initially a sense of business as usual. Yet as the Twelth Doctor begins assert himself, a change can be felt.
For an obvious start there’s Capaldi’s less immediately appealing Doctor. He’s erratic, more vulnerable, wilder, more alien. It is too much of a cliché to say he is “darker” but his greater age and presence gives his Doctor much more gravitas once he has recovered. His final confrontation with the villain is laced with sadness and a grim determination. Not that he can’t be funny, but a lot of that humour is unintended on his part, it’s just in the way he sees the world and his casual rudeness toward Clara. Clara too is developing, becoming a more complicated and interesting person. However her difficulty in accepting a new older Doctor seems odd given all she has seen of other Doctors lately. It’s a thread that seems contrived and imposed on her by Moffat, who seems worried that the audience too won’t like having an older gnarly hero. This nervousness leads to an unexpected cameo by Matt Smith to give his “blessing” to the new Doctor, a moment that actually seems rather insulting to Capaldi’s efforts.
There’s plenty of good set pieces in this busy story. The tyrannosaurus opening, the Doctor’s conversation with it across the rooftops later, a restaurant filled with the living dead, Clara having to hold her breath whilst surrounded by monsters and the Doctor’s final confrontation with the Half Faced Man. Who incidentally is a great villain with a memorable look, and it’s a shame we do not see more of his than we do. Good jokes too, such as the cockney smugly telling his wife that the dinosaur is just a special effect, the Doctor’s reaction to his new face “Don’t look in the mirror, it’s furious!” or Strax’s examination of Clara. “You have an excellent spleen!”
“Deep Breath” has a few clunky moments but it’s definitely one of my favourites of Peter Capaldi’s first season. It benefits from it extra-long running time of seventy minutes to tell a rich story.
There are three special features accompanying this story. “Behind the Scenes” is exactly what you think it would be, footage of the filming and interviews with some of the cast. It was originally shown on BBC iPlayer and the red button. This season’s behind the scenes series has been a lot better than the increasingly indulgent and samey Doctor Who Confidential of previous years, more focused, benefiting from its shortened running time of fifteen minutes.
I thought the exclusive prologue for “Deep Breath” rather disappointing. Hoping for more about the Doctor and Clara’s encounter with a tyrannosaur, or more of the Half-Faced Man mystery, instead we have Strax making a video log about the previous Doctors, whilst the gang are on a crashing spaceship that has nothing to do with the rest of the story. It’s essentially a remake of a previous Strax online video about the many Doctors filmed for the 50th anniversary. Dan Starkey is an entertaining as ever playing the Sontaran but the whole sequence feels superfluous compared to previous prologues.
There used to be a time when the announcement of a new Doctor was reserved for the “And finally…” spot on the evening news and perhaps an interview on “Blue Peter”. But it’s a sign of the importance of the show to the Beeb that Peter Capaldi’s unveiling qualified for a half hour live show on BBC1, which is available only on this DVD. Celebrity fan Zoe Ball hosted “Doctor Who Live: The Next Doctor” a shiny floor show and interviewed a few old cast members including ex-Doctor Colin Baker, introduced a video message from Matt Smith and finally ushered in Capaldi amongst a blaze of dry ice and lasers. It’s nice to have this bit of Doctor Who television preserved on DVD/Blu-ray for nostalgia but whether it is worth buying the DVD for depends a lot on how much you see this disc on sale for.
If you haven’t bought the Series Eight box set, which is already being reduced to a very reasonable price on some sites, I’d still say go for that. This disc is more of a novelty, designed for a moment in time in 2014. It has nostalgic appeal to fans but otherwise it’s an inessential release, despite the strengths of the story.
My good friend filmmaker Nigel J Anderson has been hosting some film tuition nights at Manchester Central Library. For one of these evenings he was demonstrating how to film and edit a debate, and he asked John Isles, Anne Louise Fortune and myself to appear in the exercise. We are all knowledgeable Doctor Who fans and the subject under discussion was the remaining lost episodes of from the Sixties. Many episodes of the BBC science fiction series were wiped in the early Seventies, along with a lot of other black and white television, because the BBC felt they had no lasting artistic or commercial value.
It was a fun evening and I hope our small audience enjoyed it too. I think Nigel did a great job putting it all together in a slick package too. I just wish I had worn a more colourful sweater so I didn’t risk fading into the white wall behind us 🙂
I’ve started contributing articles to WhatCulture.com, a pop culture website. My first one is about one of my obsessions Doctor Who and more specifically, tie-in novels which I think would great television adventures. You can read about my top ten here:
Published author of YA and adult paranormal romance, horror, urban fantasy short stories, novellas and novels. On this site you'll find writing advice, information on my work, book reviews, author interviews and more...