Tripodscast – The Saga Concludes

Last week, the tenth and final episode of The Tripodscast was released. It’s fittingly one of their best episodes, a lively discussion of some of Samuel Youd’s (aka John Christopher) other novels, interspersed with an interview with his children Nick and Rose. They now run The SYLE Press, a small imprint dedicated to putting their father’s work back into print. It’s an interesting conversation, not only for what it reveals of the author in his private life, but as a picture of what is involved in being an independent publisher. Samuel Youd wrote in great many genres over his career, from gothic romance and family sagas to more literary portraits of the time he was living in.

You can listen to this episode and the rest of the series on your favourite podcast app or at https://anchor.fm/the-tripodscast Of course I am biased but I think it’s a quality mini-series for anyone wanting to hear more about the books or the TV series.

It’s been fascinating to watch this podcast develop in confidence and ambition. Initially intended as discussion podcast between three friends looking at the SF series The Tripods Trilogy in books and TV, it has developed into an in-depth examination of Samuel Youd, the making of the television series and its ongoing fandom. It’s scored interviews with all four lead actors, some of whom have rarely been interviewed before, plus the series producer and television veteran Richard Bates, whose career includes script-editing or producing The Avengers, The Darling Buds of May and A Touch of Frost. Writer Will Hadcroft, was another excellent contributor, not only as a viewer but as someone who corresponded with and met Youd.

You’ll be hearing from John Isles, Rebecca Wray and Dani Wray in forthcoming episodes of Very British Futures.

Very British Futures – The Tripods

One of the benefits of inviting different combinations of guests on to each episode is that you get a variety of tones. It keeps it fresh and surprising. This episode, covering the BBC Eighties series The Tripods, for example welcomes Andrew Roe-Crines to the guest sofa, along with regular contributor Kevin Hiley. Andrew is a senior university academic and he brings a certain thoughtfulness and rigor to his answers. Combined with Kevin’s great enthusiasm for this programme, it results in our deepest and most analytical hour so far, and one that has made me look at this drama series with fresh eyes. I hope it does for you too.

The Tripods was an unusual commission for the BBC, who have tended to regard Doctor Who as fulfilling their annual family science fiction needs. There hadn’t been an example of two major SF series on BBC1 since Blake’s 7 had appeared 1978 on mid-week evenings during the Star Wars boom. Based on the popular children’s novels by John Christopher, it followed the adventures of teenagers Will, Henry and Jean-Paul (nicknamed Beanpole) as they go on the run across Europe and eventually join the human resistance against the Tripods, gigantic machines which rule the human race through “capping”, a metal circuit fused to the skull. The cap makes the wearer an obedient drone. Ultimately the resistance discover that the Tripods are in fact vehicles for an amphibious alien race known only as the Masters.

Co-funded by the Australian channel WGB, this was an epic production, with lots of location filming and impressive effects. Unfortunately that epicness also led to a leisurely pace, especially in the first season. Viewers were frustrated by the lack of Tripods in many episodes, often only appearing for a moment, striding by. But when the action came it was excellent and the second season was much livelier than the first. But it was too late and the audience never returned in large enough numbers. Unlike the current BBC/HBO adaptation of His Dark Materials, which publicly committed itself to making the whole trilogy from the start, the BBC were making decisions on a season by season basis and fresh productions from new producers were lobbying for its budget. So The Tripods became a trilogy of only two parts.

In the subsequent years there have been rumours of a Hollywood movie but nothing has come of that. Personally I think the series, with a bit rewriting, especially to boost the female participation, would be a great fit for a streaming service. You can learn more about the series by listening to the podcast, which is available on Anchor and Spotify amongst other platforms. You can also listen or download a copy below.

Very British Futures – The Tripods

Future programmes coming up on Very British Futures podcast include: Star Maidens, The Uninvited, Max Headroom, Out of the Unknown, Star Cops and The Nightmare Man. If there are any British SF shows you would cover in the future, why not drop me a line or leave a comment? All the best.