by Michael J Bird
So here the series ends, as far as we can know it, since the final episode The Shattered Eye is long since missing. And a series that had been conceived as a showcase for the best of literary science fiction finishes with a ghost story.
George and Millicent Patterson are about to emigrate to Botswana, so are spending their last night in their old, virtually empty flat. But their night turns into a frightening ordeal as they are assaulted by visions which gradually tell the story of a controlling husband who abuses and eventually murders his wife.
It is difficult to review this episode fairly, since we only have a handful of publicity photos, which omit most of the cast, plus the soundtrack. The reconstruction therefore illustrates the audio with pages of the original camera script. It is a shame there was not the time or money to re-type the script, since the faded copy we see is quite hard to read in places. Still I would rather have this version than omit the episode altogether.
Although essentially a supernatural story, The Uninvited did remind me of Sapphire and Steel with its limited interior setting and use of an electronic howl to herald each visitation. The events could be explained as some kind of time rift if you cared too. It is difficult to judge how frightening it might have been since it would have depend a lot on how good the visual shocks in the script were realised.
In a season that has generally featured fraught relationships, it is rather lovely to listen the genuinely loving and affectionate marriage of George and Millie, played with easy naturalism by John Nettleton and June Ellis. The fact they are so likeable and committed to each other, definitely amplifies the horror when it begins because I really did not want anything tragic to happen to them. June Ellis was incidentally the wife of producer Alan Bromley. It is almost a shame that Brian Wilde is remembered for playing ineffectual comedy characters in Porridge and Last of the Summer Wine because he excelled playing sinister, slightly pathetic villains, whether the abusive husband Ramsay here or Mr Peacock in Ace of Wands. The moment where he advances on Millie, telling her she must be punished is unsettling even on audio.
Writer Michael J Bird had already written the controversial To Lay a Ghost for this season. He was something of a specialist in writing contemporary dramas with a supernatural flavouring, penning Maelstrom, The Dark Side of the Sun and The Aphrodite Inheritance as well as guest scripts in quite a few long running BBC series. Whilst this episode is lost, interestingly Michael J Bird rewrote his script as In Possession for Hammer House of Mystery and Suspense in 1984. Another missing Out of the Unknown episode The Last Witness was adapted by Martin Worth for the same series, retitled A Distant Scream.
Perhaps the only criticism I can make of The Uninvited is that it would have fitted comfortably into any of the Seventies supernatural anthologies, such as Dead of Night. It demonstrates that Out of the Unknown had lost its distinctive identity and unique selling point. So it was not surprising that indifferent ratings and incoming new executives with fresh agendas led to it not being picked up again. Survivors, Moonbase 3 and Doomwatch would keep the flag flying for BBC adult-aimed science fiction through the Seventies. Eventually, just as Out of the Unknown sprang from in part from Armchair Theatre, so Play for Tomorrow would spin-off from Play for Today. But that is an article for another time.
I’ve not quite finished with this BFI boxset. Coming up next is a review of the brand new documentary Return to the Unknown and the other extras included in this impressive collection.