Watch the best of our Bolton poetry festival – Live from Worktown 2015

logo lfw

So after all the stressful planning, the filming and the late nights, the second Live from Worktown festival of the spoken word is over. Well I say over, you can still buy copies of our accompanying poetry anthology with contributions from all over the UK and beyond, not to mention a long overdue reissue of Hovis Presley’s bestselling collection “Poetic Off-License”. Sometime soon the committee will have a review meeting to consider what succeeded and what could have been done better.

Plus you can watch my videos of many of the events, which I’ve been busy editing during the course of the festival. I’ve put them together into a Youtube playlist below. You’ll find local poets like Jefferama and Louise Fazackerly rubbing shoulders with major names like John Hegley and Brian Patten. I think the part of the festival I’m most proud of is the connections it makes between people, connections which might flower into new creative projects, or just make people’s lives a bit brighter.

Highlights for me have been the energy, enthusiasm and sheer quality of the performers on the INSYT Media vs Young Identity evening. John Hegley’s hilarious clever set, and the good feedback I’ve had from the Hovis Presley night. The latter was the evening I was overseeing and it pushed me into new responsibilities and has given me more confidence for future happenings.

Low-lights have been the problems of finding good venues for our festival programme, money worries when it looked like our Arts Council grant application had failed and trying to think of new ways to promote the festival at the eleventh hour.

However I think Live from Worktown as a brand has definitely raised its profile and reputation significantly this year. Most of the credit goes to Dave Morgan, Scott Devon, Paul Blackburn and Louise Coulson for all their hard work. Now its time to put some of my other projects back on the table and get them completed. Hopefully I’ll have more to tell you about soon. Thanks for reading.

For more information about the festival, or if you want to buy a copy of the anthology, please visit http://livefromworktown.org

Brian Patten and John Hegley are coming to Live from Worktown

logo lfw

Live from Worktown 2015 has begun, with three well received social events, including the launch of the Anthology, an evening with Flapjack Press and a debate on which famous poet to throw out of a balloon. I’m gearing up to film several of the coming events and put edited versions online. Expect a compilation post once they are up. But I just wanted to take the time to recommend two of our flagship events.

John Hegley

JohnHegley

As well as running an afternoon workshop which is nearly sold out. John Hegley is presenting his marvellous combination of poetry, comedy and music on 18th May at the impressive theater space of Bolton College.
A favourite on the radio and music festival scene he first came to prominence on John Peel’s radio show. Hegley’s poem ‘Malcolm’ is one of the nation’s most popular comic poems. Mandolin-playing Hegley delights in audience participation.

Brian Patten

BrianPatten

Brian Patten came to prominence, along with Roger McGough and Adrian Henri, in the 1967 best- selling Mersey Sound poetry anthology. Since then he has performed at the world’s leading literary festivals and has published several very award winning collections. He also writes for children and is a highly engaging performer. On 21st May he will be sharing the performance space of Bolton Central Library with another award winning poet – Mandy Coe.

For tickets and more information, please visit http://livefromworktown.ticketsource.co.uk

You can also follow the event on Twitter – @fromworktown

Thanks for reading.

Live from Worktown 2015 Festival is nearly here

Bolton’s festival of art and the spoken word is coming in May. I’ve edited a brand new trailer to promote it, which you can watch above.

Amongst the festival highlights:
18th May John Hegley Workshop and Show
19th May Hovis in Wonderland – A play for voices, celebrating the life of Hovis Presley
20th May Jackie Hagan and Open Mic
21st May Brian Patter and Mandy Coe
30th May John and the Baptists free concert

For more information visit http://livefromworktown.org and you can order tickets online from http://livefromworktown.ticketsource.co.uk

Doctor Who – Deep Breath reviewed

20150414_215848

One of my little side activities is writing reviews for the consumer site Ciao.co.uk, mostly on DVD’s. Unusually one my most recent submissions was rejected because the DVD in question “Doctor Who – Deep Breath” featured an episode I had previously reviewed as part of the Series 8 box set. Although as you’ll read the DVD also includes material not included in box set. Anyhow it seems a shame to waste the article, so my blog seemed an ideal home for it.

With the release of the complete Series 8 on DVD, is there any point buying a separate DVD of the first episode? Well it all depends on whether the chance to own its two exclusive extras is enough of an incentive.

    Feature

There’s a Tyrannosaurus Rex on the banks of the Thames, multiple cases of spontaneous combustion amongst Londoners, and a brand new Doctor for the Paternoster Gang to take care of. Clara thought she knew who the Doctor was, but she is finding it hard to relate to this strange older man. Can the regenerated Doctor stabilize himself in time to stop the terrifying Half Faced Man and his gruesome plans for London?
Matt Smith’s first adventure “The Eleventh Hour” felt wonderfully fresh and different. It was not just the lead actors who had changed, there was a new production team installed down in Wales, led by Steven Moffat, who wrote the story too. Aside from the TARDIS, everything else was original. By contrast in “Deep Breath” only Capaldi is new and he is surrounded by Matt Smith elements like Victorian London, the Paternoster Gang of Vastra, Jenny and Strax, a continuing companion in Clara and eventually an old enemy from even further back. Steven Moffat’s still in charge as well and writing again. So there is initially a sense of business as usual. Yet as the Twelth Doctor begins assert himself, a change can be felt.

For an obvious start there’s Capaldi’s less immediately appealing Doctor. He’s erratic, more vulnerable, wilder, more alien. It is too much of a cliché to say he is “darker” but his greater age and presence gives his Doctor much more gravitas once he has recovered. His final confrontation with the villain is laced with sadness and a grim determination. Not that he can’t be funny, but a lot of that humour is unintended on his part, it’s just in the way he sees the world and his casual rudeness toward Clara. Clara too is developing, becoming a more complicated and interesting person. However her difficulty in accepting a new older Doctor seems odd given all she has seen of other Doctors lately. It’s a thread that seems contrived and imposed on her by Moffat, who seems worried that the audience too won’t like having an older gnarly hero. This nervousness leads to an unexpected cameo by Matt Smith to give his “blessing” to the new Doctor, a moment that actually seems rather insulting to Capaldi’s efforts.

There’s plenty of good set pieces in this busy story. The tyrannosaurus opening, the Doctor’s conversation with it across the rooftops later, a restaurant filled with the living dead, Clara having to hold her breath whilst surrounded by monsters and the Doctor’s final confrontation with the Half Faced Man. Who incidentally is a great villain with a memorable look, and it’s a shame we do not see more of his than we do. Good jokes too, such as the cockney smugly telling his wife that the dinosaur is just a special effect, the Doctor’s reaction to his new face “Don’t look in the mirror, it’s furious!” or Strax’s examination of Clara. “You have an excellent spleen!”
“Deep Breath” has a few clunky moments but it’s definitely one of my favourites of Peter Capaldi’s first season. It benefits from it extra-long running time of seventy minutes to tell a rich story.

    Extras

There are three special features accompanying this story. “Behind the Scenes” is exactly what you think it would be, footage of the filming and interviews with some of the cast. It was originally shown on BBC iPlayer and the red button. This season’s behind the scenes series has been a lot better than the increasingly indulgent and samey Doctor Who Confidential of previous years, more focused, benefiting from its shortened running time of fifteen minutes.

I thought the exclusive prologue for “Deep Breath” rather disappointing. Hoping for more about the Doctor and Clara’s encounter with a tyrannosaur, or more of the Half-Faced Man mystery, instead we have Strax making a video log about the previous Doctors, whilst the gang are on a crashing spaceship that has nothing to do with the rest of the story. It’s essentially a remake of a previous Strax online video about the many Doctors filmed for the 50th anniversary. Dan Starkey is an entertaining as ever playing the Sontaran but the whole sequence feels superfluous compared to previous prologues.

There used to be a time when the announcement of a new Doctor was reserved for the “And finally…” spot on the evening news and perhaps an interview on “Blue Peter”. But it’s a sign of the importance of the show to the Beeb that Peter Capaldi’s unveiling qualified for a half hour live show on BBC1, which is available only on this DVD. Celebrity fan Zoe Ball hosted “Doctor Who Live: The Next Doctor” a shiny floor show and interviewed a few old cast members including ex-Doctor Colin Baker, introduced a video message from Matt Smith and finally ushered in Capaldi amongst a blaze of dry ice and lasers. It’s nice to have this bit of Doctor Who television preserved on DVD/Blu-ray for nostalgia but whether it is worth buying the DVD for depends a lot on how much you see this disc on sale for.

If you haven’t bought the Series Eight box set, which is already being reduced to a very reasonable price on some sites, I’d still say go for that. This disc is more of a novelty, designed for a moment in time in 2014. It has nostalgic appeal to fans but otherwise it’s an inessential release, despite the strengths of the story.

Live from Worktown poetry/comedy/music festival in Bolton

logo lfw

Whilst I’m not intending to spam the timeline with Live from Worktown notices, I’d be remiss if I didn’t put up links to both main webpage http://livefromworktown.org and the online box office http://livefromworktown.ticketsource.co.uk
Especially since I’ve just been putting a lot of work into the latter, listing all the events the organisers have planned for April and May. We’ve really got some big names coming to my home town of Bolton, UK, including one of the original Merseybeat poets – Brian Patten, and poet, comedian and singer John Hegley. Plus workshops, debates and a one-night revival of Dave Morgan’s play for voices “Hovis in Wonderland”, celebrating the work of poet Hovis Presley.

I’m currently editing a big launch trailer, so expect that to be posted here soon.

The weird thing about all this is, I couldn’t write a poem myself to save my life!

Doctor Who – The Lost Episodes – Taking Part in the debate

My good friend filmmaker Nigel J Anderson has been hosting some film tuition nights at Manchester Central Library. For one of these evenings he was demonstrating how to film and edit a debate, and he asked John Isles, Anne Louise Fortune and myself to appear in the exercise. We are all knowledgeable Doctor Who fans and the subject under discussion was the remaining lost episodes of from the Sixties. Many episodes of the BBC science fiction series were wiped in the early Seventies, along with a lot of other black and white television, because the BBC felt they had no lasting artistic or commercial value.

It was a fun evening and I hope our small audience enjoyed it too. I think Nigel did a great job putting it all together in a slick package too. I just wish I had worn a more colourful sweater so I didn’t risk fading into the white wall behind us 🙂

William Hartnell Era

Patrick Troughton Era

Hope you find them interesting.

Submissions wanted for the next Worktown poetry anthology

This year I am once again involved behind the scenes with our local poetry and related live performances festival. As part of it we are publishing an anthology with an open submissions opportunity for poets from the north of England:

logo lfw

As part of the Live from Worktown Festival 2015, we would like to invite poetry submissions from poets living in the north of England to appear in our festival anthology. The festival this year aims to showcase international performers and writers such as Brian Patten, John Hegley and Mandy Coe, alongside talented local artists.
But we also want to include you, so if you’re a poet living or working in the north of England then we want to see your work. Send us a maximum of two poems by the 13/04/15 to be considered by this year’s guest editor Anne Caldwell, head of poetry at Bolton University.
If accepted your words will be published in the festival anthology in April 2015 and may also appear on the festival website. All published poets will be invited to the anthology launch which will be held in Bolton during the Live from Worktown festival.
Please see below for submissions guidelines, and we look forward to reading your work.
The submission window is 23/03/15 to 13/04/15. Poems submitted outside this period will not be considered.
All submissions must be by e-mail.
Submissions must be sent as an attachment (doc, docx, pdf). Submissions sent in the body of an e-mail will not be read.
Submissions must be the original work of the entrant.
Any poems submitted that are not in English must be accompanied by an English translation.
Poems must be no longer than 30 lines.
Maximum submission of two poems per person.
Submissions should be made to: submissions@livefromworktown.org
Please include your name and postcode in your submission e-mail.
This opportunity is open to anyone aged 16 years or older who lives in the north of England.

logo arts council

Lear’s Daughters (or why is everyone so evil in King Lear?)

Hello again. One of the hats I wear is updating the Bolton Little Theatre website. I’m also on the marketing committee. At the last meeting I suggested filming some interviews with the creative souls at the theatre to promote up-coming plays and I’ve just completed the first one, which you can watch below.

It is centered on our forthcoming production in April of “Lear’s Daughters”, a prequel to “King Lear” looking into what made Goneril, Regan and Cordelia the women they are in Shakespeare’s tragedy. The play is written by Elaine Feinstein. But I’ll let director June Grice explain more…

Hope you find it interesting. Here is Ben Latham’s excellent poster for the production too.

BLT14156 Lears daughters

Exciting times ahead – Music, Poetry and Bolton

anthology2014cover
Live from Worktown was a 2014 festival of poetry and music based around the UK town of Bolton, my home. As well as the best local talents, it also featured sets from international names George Wallace and Anjum Malik. I was involved on the filming side and general gophering.

Tonight I’ve been at a meeting to discuss the forthcoming arts festival Live from Worktown and I’ve come away feeling very excited. There’s much to be done between now and May but already it looks as if our follow up to last year’s inaugeral event will be bigger and bolder. I’ll be posting up specifics about what I will be doing once they are confirmed but in the meantime, if you’ve not taken a look at the official website http://livefromworktown.org/ then please do. There is also a brand new archive site http://livefromworktown14.org.uk/ containing a permanent record of 2014’s events.

Thanks for reading. Stay tuned.